New England Kitchen at the Brooklyn Sanitary Fair in 1864
Right before the last Christmas of the Civil War the women of Chicago put on a fundraising fair for the Union cause. "The New England Farm House Festival" was a three-day event with an old-fashioned theme. Nostalgia for Colonial days was a feature of several fairs that raised money for the Sanitary Commission.
Women dressed for the Knickerbocker Kitchen at the
New York City Fair
The Chicago Tribune gave the fair much attention:
"One would hardly have supposed that such a variety of 'ye ancient household goods' which graced the persons, the parlors and kitchens of the generations which have gone before, could have been found in this far of Western city." (or whatever it was they were trying to say.)
The Fair was held in Bryan Hall on Clark between
Randolph & Washington, destroyed in the fire of 1871.
The Tribune mentioned a "silk quilt presented to President Lincoln"
"The New England Farm House Festival---This entertainment...has proved a brilliant success...The ladies gratefully acknowledge the assistance they have received... especially...of George R. Chittenden, Esq., who ordered the quilting of the silk quilt presented to President Lincoln, to be executed upon one of Wheeler & Wilson's sewing machines, and also presented the silk used in making it.
December 18, 1864.
George Redfield Chittenden (1833-1881) was Chicago's dealer in Wheeler & Wilson sewing machines. We can imagine that the gift for the President was a good marketing tool.
Fairs of all kinds had operators demonstrating
modern technology.
On the back wall under the eagle: a Wheeler & Wilson fair booth
Where to begin? Perhaps a presentation ceremony would describe it. But Lincoln did not actually visit the fair. He spent December in Washington so if the silk quilt ever reached him (he was shot 5 months later) it would have been delivered to the White House without much fanfare or newspaper coverage.
Poking around the web looking for "Lincoln silk quilt" made me re-think my idea of what I was looking for. The newspaper called it a silk quilt, not a silk bedquilt.
What if they were talking about a quilted garment?
"The hand-embroidered lapel featured an eagle carrying a banner reading 'One Country, One Destiny.' The phrase comes from an 1837 speech given by one of Lincoln’s role models, Senator Daniel Webster."
It is immediately obvious that the caption is wrong. We are looking not at the coat's lapel but at its lining. The silk is not embroidered it's quilted. And it looks to be machine quilted on a chain stitch machine.
So easy, a child can sew on a Wheeler & Wilson
Lock-stitch machines competed with chain-stitch machines, which had no bobbin. Lock-stitch machines eventually won out because the chain stitch raveled so easily. Machine manufacturers like Wolcott & Gibbs dueled in their advertising with lock-stitch companies like Wheeler & Wilson.
Denise Winter's web page has a better description, photos and history of the coat at Ford's Theatre. The coat and silk lining are black. The coat was a gift [or purchased] for Lincoln's second inauguration in March, 1865 from Brooks Brothers, the men's clothing manufacturer in New York City.
"The original overcoat is a double-breasted coat made of the fine wool with silk edging around the outside of the collar, cuffs and pockets. Almost the entire inside of the coat is hand-quilted. The right and left interior front panels feature the design of an eagle symbol holding two streamers with the words 'One Country, One Destiny'. This amazingly detailed coat also resides at the Ford Theatre Museum but is in poor condition having been ravaged over the years by souvenir collectors who have removed a section of the upper shoulder area bit by bit."
The original on display. The museum now displays a
copy.
Although all the captions indicate the quilting was done by hand I am guessing they are wrong.
I found several secondary references to the quilter who did the work for Brooks Brothers. Her name was Agnes Breckenridge and supposedly a story appeared in the New York Times, in which she said the quilting took her 2 days (10 hours of work). That time frame is suspect--- That much quilting in ten hours? Even on a machine. Certainly not by hand. [I couldn't find the reference to Agnes in the Times archives.]So I am wondering if George Chittenden made a similar garment to display at the New England Farm House Festival? There's one less bedquilt to track.
