Wednesday, January 8, 2014

Dixie Diary Label

Here's a printable label for your Dixie Diary quilt.
Click on the picture above and copy it to a JPG file or a Word file. Then print it out on a sheet of prepared cotton. I planned it to be about 6" wide with plenty of room to write your name and hometown.

Dixie Diary
by Stitch & Knit

Stitch & Knit's top turned out to be a great repro of the Civil War era look. The fabrics include a lot of my older Moda Civil War collection: Climbing Jacob's Ladder.


You'd definitely better write the date on the label. I can see quilts like this being confused with actual mid-19th century quilts in the future.

See Stitch & Knits' blocks and plans at her Flickr Photostream here:

Oops I didn't mean to post this till Saturday.... but what the heck.

Saturday, January 4, 2014

Sarah Morgan After the War

Sarah Morgan Dawson about 1892,
portrait published in The Strand Magazine in 1906

The Morgan family's trials continued after Sarah and her mother found refuge in Union-occupied New Orleans in 1863. Brothers Gibbes and George both died in January, 1864.

Mourning at Stonewall Jackson's grave


Thomas Gibbes Morgan
1835-1864

Gibbes left wife Lydia and three children, Howell, 
the youngest, born at Clinton Plantation.

An anonymous portrait from the 1870s
picturing grief and mourning, the general lot of
postwar women.

In the words of Sarah's son, Warrington:  "The war over, Sarah knitted together the threads of her torn life and faced her present." 

Judge Philip Hicky Morgan
was a post-war Louisiana Supreme Court Justice.
Sarah and her mother lived with him in New Orleans
from 1863 to 1872.

Sarah took over the care of Gibbes's son Howell Morgan (1863-1952), and in 1872 moved with her mother to South Carolina to live with her youngest brother James. 

 James Morris Morgan in his 
Egyptian Army uniform in 1870.


The Dawsons, married January 27, 1874

Two years later she married widower Francis Warrington Dawson, an Englishman who'd changed his name and sailed to America to fight on the Confederate side. Dawson, a friend of brother James, won her heart with his letters and his offer of a position as editorial writer for his newspaper, the Charleston News & Courier. Their letters and Sarah's unsigned articles for the paper, edited and published by Giselle Roberts, offer insight into a feminist philosopher in the post-war South. Although she refused to support women's suffrage she wrote extensively about women's roles and rights in a changing world.


The Dawson's Bull Street house survived 
Charleston's 1886 earthquake,
although the front porch collapsed. 
Sarah and the children were in France at the time.


Frank Dawson (1840-1889) 
was an important journalist
in postwar America.

Frank published his Reminiscences of Confederate Service with the note: 

"These pages I have written at the request of my wife, Sarah Morgan Dawson, and for her dear sake.... Year after year and so long as I have known her, [she] has strengthened my faith by believing in me, and enlarges my hope always by her confidence and love."

Sarah and Frank Dawson had three children, Ethel Morgan Dawson (1874-1912) who married Herbert Barry;  Francis Warrington Dawson, Jr. (1878-1962) and Philip who died at six-months in 1881. Their happy marriage came to a sad end in 1889 when Dawson was shot by a neighbor who had been making advances towards the children's governess.



The sensational event was made even more painful by the killer's acquittal. In 1892 Sarah sought refuge from memory in France where son Warrington had established a reputation as a novelist and newspaper reporter. 


In 1909, reporter Warrington Dawson (at right) 
accompanied ex-President Theodore Roosevelt on his 1909 
African safari, providing photos and accounts that he
later used in lectures.



While Warrington was on that African trip Sarah died suddenly at 67 in Paris. She was buried next to her husband in St. Lawrence Cemetery in Charleston.



Sarah's reputation as a writer was a comfort in her years in Paris. In 1906 London's Strand magazine
published a series on "The American Woman in Paris," characterizing her as, "one of those rare authors who write with equal facility in two languages, French to this daughter of the South being as much her native tongue as English." Today her reputation is based on her Civil War diary, which Warrington published in 1913. 

Warrington Dawson
publicity photo for his 1910 lecture tour
on Theodore Roosevelt.

Researching Sarah Morgan Dawson's life makes one realize how important an American family the Morgans are. Every thread of genealogy leads to impressive achievement in their real-life American saga. Cecil Morgan (Sarah's nephew Howell's son) tried unsuccessfully to impeach Louisiana Governor Huey Long. Howell himself and wife Thisba worked for the Bureau of Indian Affairs on Sioux reservations and Cecil donated their collection of Sioux arts to the Smithsonian's National Museum of the American Indian. In France, Warrington was friends with authors Josef Conrad and Rudyard Kipling, as well as the Theodore Roosevelts. During World War I he worked at the American Embassy in Paris. As noted in an earlier post, Sarah's brother Philip's descendants include Thelma Furness, Gloria Vanderbilt and Anderson Cooper.

Links to read more about the Morgans and the Dawsons:

Sarah Morgan: The Civil War Diary of a Southern Woman,edited by Charles East. Simon and Schuster, 1992. The later edition of the diary includes biography and analysis.

The Correspondence of Sarah Morgan and Francis Warrington Dawson, edited by Giselle Roberts. University of Georgia Press, 2004. View a Google Preview:
 http://books.google.com/books?id=JOZ_qQ9g_noC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false

Read Giselle Roberts's chapter, "Sarah Morgan Dawson: A New Southern Woman in Postwar Charleston" in South Carolina Women: Their Lives and Times, (University of Georgia Press, 2010) by clicking here:

See Roxana Robinson's blog post about her great-grandfather Frank Dawson here:

Read Francis W. Dawson's account of his Civil War experiences and letters to his mother in Reminiscences of Confederate Service 1861-1865, a new edition edited by Bell Irvin Wiley. See a Google preview here:

More about Frank Dawson in Susan Millar Williams and Stephen G. Hoffius,  Upheaval in Charleston: Earthquake and Murder on the Eve of Jim Crow, University of Georgia Press, 2011

Saturday, December 28, 2013

Pattern Name?

Collection of the Taylor Museum in Arizona

Above is a quilt that looks to have been made sometime
in the early 20th century. The claret red and cadet blue
fabrics at lower right are good clues to the 1890-1920 era.
The bright purple and yellow might indicate the 1930s.

See more about it at the Arizona Memory site:
http://azmemory.azlibrary.gov/cdm/ref/collection/tshsettle/id/0

The family story that it was made before 1890 seems fairly unlikely because the fabrics look later. The caption says it was made by Margaret Henrietta Baird Camp and donated by her granddaughter, who passed on the family name for the design:

The caption reads:
"In the South, the pattern was called 'The Whig’s Defeat'. In the North it was known as “Democratic Victory".

Interesting? Those names for this pattern haven't been recorded.

I looked it up in BlockBase where it is #3807

The pattern has a lot of published names, beginning
in about 1890 when the Ladies' Art Company sold it as Dutch Rose.
Eccentric Star and Octagonal Star are other often used names.

The design was popular in the 20th century and you see
related patterns going back to the mid-19th-century.

This one with squares in the corners looks to be Civil-War-era. It's BlockBase #3809,
which also has many published names


Carpenter's Star is common
but it's also published as Knickerbocker Star
and Black Diamond.

It's just not known as Whig's Defeat. Could the donor or the museum have mixed up some labels?

Confusing it with a quilt similar to this, which
Florence Peto published as Democrat's Fancy or Whig's Defeat in 1941.

A simple mix-up in quilts and the family name happens every once in a while but the major question I have is how did the page and the pattern come to be called Confederate's Defeat?


"100 Year old quilt is hand pieced and quilted . Pattern is Confederate defeat or
Democratic victory."


Typos in the digital files----facts on the internet.

Saturday, December 21, 2013

Dixie Diary Progress


Dixie Diary 2 by Terry

Terry (Honas52) is doing two tops of six inch blocks multiplied in rows of six:
She says: "Six 6-inch blocks in nine rows, three 4-inch blocks plus appliqued star and heart in the corners."

The photo above with the 4"  flying geese border shows the background print better.

She finished it out with a caramel-colored brown 
and it's on its way to the quilter.

The strips of the same block is a nice idea, and these were so simple they were easy to repeat.
See her photostream here:
http://www.flickr.com/photos/55917145@N08/with/9983093693/

Denniele (tmdab) has all 12 blocks done and set in their frames.

Her photostream:

PinkDeenster has photographed all of her blocks on the design wall. She's using recycled needlework---embroidery, etc.

She's got them set and working on a border.
See more:



MooseBayMuses has her block done but she is (of course!) short of sashing fabric (12" short). Stay tuned. 

http://moosebaymuses.blogspot.com/

She's ordering more.

Saturday, December 14, 2013

Blocks into Tops

Kris Loves Fabric posted this finished Dixie Diary top with the 12" blocks in 2010
when she made it from patterns she got in Sandi Brother's  shop
A Quilt of Many Colors.



She asked Cathi to quilt it and finsihed it almost two years ago:


Here's Sandi's version with the applique.

The set for the 12" blocks

See instructions for both Sets here:

Denniele Bohannon has nine done for this photo on the blue plaid rug.
She used my reproduction collection 1862: Battle Hymn
She used only stars for applique.

MuleHill posted this a few months ago.
It was waiting for applique and borders.

It will be fun to see what borders you choose.

Saturday, December 7, 2013

Dixie Diary 12: Turning Yankee


Dixie Diary 12: Turning Yankee
8" Version

A pinwheel represents the end of the Morgan women’s travels through Confederate Louisiana. The Secesh women spent the rest of the war in Union New Orleans.

New Orleans, 1864

Sarah and her mother decided to seek shelter at brother Philip's home. After crossing Lake Pontchartrain in a schooner they were greeted at the dock by a group of Union soldiers who asked them to swear the hated oath, a pledge of U.S. citizenship. 






April 22, 1863 New Orleans

"[The officer in charge] uncovered his head and told us to hold up our right hands. Half-crying, I covered my face with mine and prayed breathlessly for the boys and the Confederacy, so that I heard not a word he was saying until the question, "So help you God?" struck my ear. I shuddered and prayed harder. There came an awful pause in which not a lip was moved. Each felt as though in a nightmare, until, throwing down his blank book, the officer pronounced it "All right!" Strange to say, I experienced no change. I prayed as hard as ever for the boys and our country, and felt no nasty or disagreeable feeling which would have announced the process of turning Yankee….


Taking the Oath in New Orleans

He turned to [Mother] and asked if she was ready to take the oath. "I suppose I have to, since I belong to you," she replied. "No,madam, you are not obliged; we force no one. Can you state your objections?" "Yes, I have three sons fighting against you, and you have robbed me, beggared me!" she exclaimed, launching into a speech in which Heaven knows what she did not say; there was little she left out, from her despoiled house to her sore hand, both of which she attributed to the at first amiable man, who was rapidly losing all patience. Faint with hunger, dizzy with sleeplessness, she had wrought on her own feelings until her nerves were beyond control. She was determined to carry it out, and crying and sobbing went through with it."


Now that Sarah is in Union-occupied New Orleans we will leave her in the summer of 1863. This
is our last block. But look for the end of the story soon.



Cutting a 12" Block

A C 4 rectangles 9-3/8" (9-5/16" if you use the 1/16th" default) x 2-5/8". 
Trim the ends at a 45 degree angle now or wait till the block is finished to trim.

B Cut 1 square 4-1/4" (4-3/16" if you use the 1/16th" default). Cut into 4 triangles with 2 cuts. 
You need 4 triangles.

C  Cut 1  square 7 1/4". (7-3/16" if you use the 1/16th" default). Cut into 4 triangles with 2 cuts. 

       
You need 4 triangles.

D Cut 4 rectangles 4-3/4" x 2-5/8".


Cutting an 8" Block

A C 4 rectangles 6-1/2" x 1-7/8"  (1-15/16" if you use the 1/16th" default). 
Trim the ends at a 45 degree angle now or wait till the block is finished to trim. See above.

B Cut 1 square 3-1/4" (3-3/16" if you use the 1/16th" default). Cut into 4 triangles with 2 cuts. 

You need 4 triangles.

C  Cut 1  square 5-1/4". (5-3/16" if you use the 1/16th" default). Cut into 4 triangles with 2 cuts. 

You need 4 triangles.


D Cut 4 rectangles 3-3/8" x 1-7/8" (3-5/16" x 1-15/16" if you use the 1/16th" default).



Optional applique:
Applique a star or a heart after piecing.
Go back to the January 5, 2013 post to see a JPG with the heart and the star.