Saturday, February 15, 2020

A Pieced Southern Beauty

Quilt associated with Mary Isabel Dickson Carlisle (1846-1934)

Ladies's Circle Patchwork Quilt magazine photographed this quilt with its chintz border at Atlanta's Tulley Smith House years ago. The quilt was donated to the Atlanta History Center with many family photographs, records and the story that it was made for Mary's wedding November 16, 1865 in Athens, Clarke County, Georgia. 

Athens in the early 20th century. The town had two economies,
cotton and education. Mary's family is listed in the 1850
slave schedule with two enslaved people.

Mary's Civil War was spent in Athens. She had a younger brother Henry Hill Dickson (1849-1935) whose obituary tells us had a short Confederate career. He ran away from home to join when he was 14 in 1863. "When discovered, he was presented with a musket and sent home." It does seem that ever after, however, he was known as Colonel Dickson.

Mary was 19 when she married First Lt. James Cozby (Cosby) Carlisle of Wade Hampton's Carolina Regiment. After their marriage and the Civil War's end Mary and James returned to his home in Lowndesville, just across the Savannah River in South Carolina.  The family with their four Carolina-born children moved to Georgia towards the end of the century.

Mary's postwar years in Atlanta were spent in a household with an extended family including her mother, her divorced daughter Annie May Carlisle Johnson (1877-1965) and Annie's children. Annie died a hundred years after her parents were married. 


J.C. Carlisle was active in the Confederate veteran's organizations, perhaps attending this 1886 Gettysburg reunion of Hampton's Legion. Hampton is in the center with the white handlebar moustache.

You cannot see much of Mary's pattern from the photo
but I am guessing it's pieced rather than appliqued....

with seams extending to the edges of the block.

I modified a pattern from Ladies' Circle Patchwork Quilts magazine, which always had the prettiest pattern drawings.

 Even the buds were pieced into the seams. It looks like Mary covered the seams with green embroidery to create stems, a common technique with this uncommon design.

Another version from the mid 19th century

I'd call it a Whig Rose although Mary's family might not have had much to do with Whig politics.
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In the 1920s the magazine Household Journal published a similar design under the name Southern Beauty Rose.

We might assume these geometrical rose quilts are appliqued but when working on the Tennessee project Bets Ramsey realized that close examination revealed they are pieced or mostly pieced. Read her AQSG paper "Roses Real and Imaginary: Nineteenth Century Botanical Quilts of the Mid-South," in Uncoverings 1986:
http://www.quiltindex.org/journals/article.php?Akid=2-B-11A

I'm including a pair of pieced roses in the new edition of the Encyclopedia of Pieced Quilt Patterns. Here's a pattern for an 18" pieced block.


Wednesday, February 12, 2020

Yankee Notions #2: Schoolhouse

Yankee Notions #2
Schoolhouse by Becky Brown

Last month we discussed Yankee Notions about education. Even after the Civil War, notions about free public education continued to divide North and South.

Hoople, North Dakota, 1899

From the early days of the United States the federal government granted new states acreage to be sold to fund public schools. Western states responded with thousands of one-room, rural schools that became an American icon.

Pieced schoolhouse quilts were quite popular after 1880 or so when the schoolhouse image emphasized education's importance.
Many patterns were published in the early 20th century.

Ruth Finley, writing in 1929, was not a fan of these figurative designs, calling them "Appealing yet absurd." She viewed the whole idea of pictorial piecing as a milestone on civilization's post-1880  downhill slope. She seems to have been in a pessimistic mood finishing up that book Old Patchwork Quilts. 
Schoolhouse by Dorry Emmer


We, however, find  them quite appealing.

Album quilt top from Oak Ridge, Missouri, dated 1898
American Museum of Folk Art Collection

This top seems obviously a Little Red Schoolhouse but some of the patterns were called cabins or homesteads at a time when nostalgia for the old days of rugged pioneers captured the hearts of Americans---The days of one room schools and log cabins.

Snokomo School in Waubunsee County, Kansas, 1930s


Quilt embroidered with name "The Old Homestead," online auction.

"The Old Schoolhouse" in a crazy quilt dated 1904

Old Log Cabins and Little Red Schoolhouses evoked the past but the one-room school icon also was used to encourage improvements in education at a time when classroom innovations and stricter standards were suggested. The image was two-sided: A view of past virtues and a vision of future improvements.

Schoolhouse by Denniele Bohannon

How red were the actual rural schoolhouses? Jonathan Zimmerman in his book Small Wonder: The Little Red Schoolhouse in History and Memory notes that most one-room schools were white. An 1890 Ohio survey found only 2 of  132 schools were red. Red was a popular color in New England, thus a Georgia woman advocated white paint for a Georgia school, he notes.


The Yankee Notion valuing education remains important. In this recent ranking of public schools  4 out of the top five are New England states: Massachusetts, New Jersey, Connecticut, New Hampshire, & Vermont. Virginia is sixth.

States Ranked for their School System Quality,  
Adam McCann for WalletHub

The Block


I chose this version (BlockBase #864) as it seems to make for efficient cutting & piecing.

However, the model makers did not agree. Becky says: Take just a scosche (how do you spell that word?) off the 1-7/8 strips or your house will be too big for its lot---Zoning problems, I guess. Dorry cut them 1-1/2" wide.

Schoolhouse by Dorry Emmer
Text on the roof

I say: If it's too big cut off the edges and blame the architect. If it's too small add a strip of sky or an addition to the side. As my brother-in-law, the genius carpenter used to say: "You can't see it from the road."


And it's a good thing we are not doing a whole subdivision.


12" Block

A - Windows.Cut 10 strips 1-7/8" x 4-1/2".
B - Walls. Cut 3 strips 1-7/8" x 7-1/8".
C - Chimneys. Cut 2 strips 1-7/8" x 2-1/2".
D - Sky. Cut 1 strip 3-1/8" x 5-7/8".
E - Sky. Cut 2 rectangles 2-1/2" x 3-1/8".

F - Gable end. Cut 1 rectangle 3-3/8" x 5". Mark the midpoint along the top and cut a triangle. Or see the templates.
G - Rafter. See the templates. Cut 1.
H - Roof. See the templates. Cut 1.
I - Sky. Cut 1 rectangle 2-3/4" x 3-5/8". Cut in half diagonally for 2 triangles.

18" Block

A - Windows. Cut 10 strips 2-1/2" x 6-1/2".
B - Walls. Cut 3 strips 2-1/2" x 10-1/2".
C - Chimneys. Cut 2 strips 2-1/2" x 4-1/2".
D - Sky. Cut 1 strip 4-1/2" x 8-1/2".
E - Sky. Cut 2 rectangles 4-1/2" x 3-1/2".
F - Gable end. Cut 1 rectangle 4-5/8" x 7". Mark the midpoint along the top and cut a triangle. Or see the templates.
G - Rafter. See the templates. Cut 1.
H - Roof. Cut 1 strip 4-1/2" x about 13" or 14". See the template for the angle.

I - Sky. Cut 1 rectangle 3-3/4" x 5". Cut in half diagonally for 2 triangles.

Templates



A triangle in an extra strip along the top plus a square---a school bell tower.

From Case Antiques in Tennessee, about 1900

February's Tangible Yankee Notion
Scissors

A good pair of shears has always been an
important investment for a seamstress. 

18th-c Parisian peddler

We can imagine the Yankee peddler might display wares
beyond the price range of some of his customers.


Like needles and thimbles scissors, a two-bladed tool, go back to antiquity with improvements advertised often in the industrial age: Better metals, better blades, better hinges and more comfortable handles.

Queen Victoria's scissors from the BBC

To say nothing of added ornament.


We take scissors for granted but it's important to remember that a good fabric scissors is expensive.
What would quilts look like without them?

What if you had only a knife or a very dull scissors?
You'd tear your fabrics and right angles would
be your options.




Album quilt dated 1900 from the Pat L. Nickols collection
at the Mingei Museum


And here's why scissors look like storks.
This may be TMI but the stork scissors were originally clamps used by midwives and then surgical snippers.

German scissors made for a midwife

Denniele is making an 18" set of blocks. Very graphic.
As Sara Farley says: "Go big or go home!"


Saturday, February 8, 2020

Applique in 1865

Signed and dated 1865 by Mary Louise Orndorf Faller
Online auction

My photo files are short of quilts dated 1865, the year the Civil War ended. Five years of war and a  cotton famine meant that quiltmaking had been dedicated to supplying bedding for soldiers. Embargoes on raw cotton made the fabrics popular for applique a rare commodity. I have pictures of  only eight appliqued quilts done in the repeat block style.

Maria Louise Hidy Trumper (1844-1927), London, Ohio
Teddy Pruett's collection.


Two four-block quilts in similar pattern.
No, three!

1865, Rebecca Gouffin Wilson & Isabella Irene Wilson Rhodes in Iowa, 
From the Dillow collection at the International Quilt Museum.



"This Princess Feather quilt was being worked on in North English, Iowa, in 1865 when a rider came by to announce the assassination of President Abraham Lincoln. The pattern name is attributed to the plumes on the Prince of Wales' hat and over the years the name has gradually become known as Prince’s Feather or Princess Feather. Other names for the design are Star and Plumes or Ben Hur's Chariot Wheel." Nebraska Quilts and Quiltmakers, p. 84
The donor Sara Rhodes Dillow was related to the quiltmakers so she must have heard the family story more than once.
You could probably see the quilt below as a version of a four-block Prince's Feather too.

No information on origins, embroidered 1865.
International Quilt Museum

I wondered if the feathers were reverse appliqued but they don't look to be.
That border (reverse appliqued or not) looks Maryland style, don't you think?


So what do the other four appliques dated 1865 look like?


A patriotic four-block extravaganza

From the James Collection, thought to have been made in Ohio.
International Quilt Museum

And yet another from their collection, but this is a nine-block
 Dillow collection, no information other than the date of 1865

"C M 1865" in a pieced/appliqued quilt from their study collection.


Signed by M. Huber. 
I don't see a date but it is reported to be 1865, Pennsylvania.


So what have we learned?

1) The IQM has 5 of the 8 appliqued repeat block quilts dated 1865.
2) If one were going to make a quilt in the spirit of the Union quilter in the last year of the Civil War one might choose a four-block Princess Feather.
3) The four-block format was in fashion in 1865.