Friday, January 4, 2013

Dixie Diary Sets & Yardage

Set for 8" Blocks

Here is information about the Dixie Diary Civil War Block of the Month sets and yardage. I'm posting it here so we can refer back to it later. The first block has been posted on Saturday, January 5, 2013.

Each month you'll get a pattern for an 8" finished block and a 12" finished block.

Set for 8" Blocks

Quilt is 56" x 68". 12 Blocks.


Fabric Requirements
Blocks: 12 fat quarters or a Layer-Cake of 10" squares would do it with some leftovers from sashing & borders. You could probably get by with a Charm pack with other scraps for bigger pieces.
I am going to use pinks and browns from this Metropolitan Fair collection, but you may want to use the whole range.

Charm Pack of 5" Squares
Pieces will need to be cut larger than 5" so find some coordinating scraps.

Something quite light or quite dark for the applique pieces: 1/2 yard (I am using white background florals from my stash.)

Sashing & Borders: Sashing is 4" and Border is 8"
Electric Quilt says for yardage:
  • Pink cornerstones (20) = 1/2 yard
  • Brown Sash Strips( 31) = 1-1/8 yards
  • Border = 2  yards
Cut borders first and use extra in blocks.

Cutting
Pink Cornerstones: Cut 20 squares 4-1/2"
Brown Sashing Strips: Cut 31 rectangles  4-1/2" x 8-1/2"
Border:  Cut 2 strips 8-1/2" x 52-1/2" for the sides
               Cut 2 strips 8-1/2" x 56-1/2" for the top and bottom.

Set for 12" Blocks
Quilt is 67-1/2" x 87-1/4"
Blocks: You need 12 patchwork blocks set on point.
Setting:
Each 12" inch block is framed by 1" strips. Blocks are 14" finished (includes the strip.)
Patchwork blocks alternate with 14" unpieced blocks
Inner border finishes to 1".
Outer border finishes to 3".
Sandi used Civil War Homefront from a few years ago for her
12" Blocks
Fabric Requirements
Blocks: Maybe 8 different fabrics, 1/2 Yard pieces, or 16 fat quarters.
Buy a little extra of the setting &  borders and add to the blocks.
Something quite light or quite dark for the applique pieces: 1/2 yard
Setting:
Strips Framing the Blocks: 1 yard
Setting Triangles = EQ says 3 yards.
Borders
Inner Border: EQ says 1/2 yard (if you piece it together). Buy one yard and use for binding too. Or buy 2-3/4 yards--use for frames, inner border and binding.
Outer Border: 2-1/2 yards so it doesn't have to be pieced together. Cut the strips first and use the rest in the blocks.
Cutting
Frames for each 12" Block
  • Cut 2 strips 1-1/2" x 12-1/2" for the top and bottom frame.
  • Cut 2 strips 1-1/2" x 14-1/2" for the side frames.
Setting Blocks: Cut 6 setting blocks 14 1/2" square
Setting Triangles:  Cut 3 squares 21-1/2".
Cut each of these into 4 triangles with 2 diagonal cuts. You will need 10 of these edge triangles.
Cut 2 squares 10 7/8".

Cut each of these into 2 triangles with 1 cut. You will need 4 of these corner setting triangles.
Borders
Because the blocks are set on point the final measurements are a little iffy.  EQ says the quilt is about 67.4" wide---I've rounded it up to 67.5. It says 87.2" long. I've rounded it up to 87.25.
Border 1
  • Cut strips 1 1/2" x 79 7/8"  for side borders
  • Cut strips 1 1/2" x 62" for top and bottom borders
Border 2
  • Cut strips 3 1/2" x 81 3/4"  for side borders
  • Cut strips 3 1/2" x 68" for top and bottom borders

Saturday, December 29, 2012

January 1 2013: Civil War Jubilee



January 1 marks the 150th anniversary of the Emancipation Proclamation, which took effect on New Year's Day, 1863.

The event, one step towards freedom for American slaves, was celebrated all over the Union with Night Watches on New Year's Eve.
 
 

 The New York Times on New Year's Day, 1863 had headlines:
GRAND EMANCIPATION JUBILEE.
 A Night-watch of Freedom at Shiloh Church
 Great Excitement and Rejoicing Among the Colored People
Prayers, Speeches, Songs, Dirges and Shouts

 

The stroke of midnight was anticipated with speeches and at midnight a dispatch from Washington was read,

 "followed by three cheers for ABRAHAM LINCOLN, three cheers for freedom, &c., &c. Mr. GILBERT then resumed his speaking, and threw a damper on the enthusiasm of the audience by commencing to grumble and find fault because the Proclamation was to be 'issued as a military necessity, and not as an act of justice.' His audience did not appear to sympathize with his troubles in that line, and he soon dried up."

Mr. Gilbert, of course, had a point. The Emancipation Proclamation was a Union act freeing slaves in the Confederacy over which the Union had no jurisdiction in January, 1863. The end of the war was still years away.

But, as a gesture, it was an important gesture, indicating that Union goals had changed. The act also changed the status of  people in "Contraband Camps" who had been neither slave nor free.
 

 A few weeks later Harper's Weekly published a double page drawing by Thomas Nast on "the great event of the day---Emancipation."
The Past
 
On the left, the past under slavery; on the right, the future as free people.
 
The Future
Earning a living
 
The idea of a Jubilee, a celebration of freedom, is an echo of the Bibilical Book of Leviticus. In the Jewish calendar, a fifty year cycle was called a Jubilee in which slaves were to be freed: "Proclaim liberty throughout all the land to all its inhabitants."
 
Henry Louis Stephens,
Watercolor of a man reading the news,
1863

The National Archives in Washington is displaying a copy of the Emancipation Proclamation in the  East Rotunda Gallery for three days, beginning tomorrow: December 30, 2012, through January 1, 2013.
 
 
Many Night Watch anniversary parties are planned for New Year's Eve.

See more National Archives programming  by clicking here:
http://www.archives.gov/press/press-releases/2013/nr13-20.html

Saturday, December 22, 2012

The Book is Done!



Santa Claus at the Front
From Harper's Weekly 150 years ago next week
 
In time for Christmas, as promised, the Civil War Sampler book has been delivered.

I got a box of them two or three weeks ago and I mailed one off to everyone who has a block in the book.

Carol Sanderson
 
To illustrate the blocks I used pictures from our Flickr page, looking for a variety of colors and fabric ideas.

Melissa Devlin

I think I mailed out 35 books, so 35 different quiltmakers are represented in the book.

Donna at Quilting Bear Gal
 
Ann Champion
 
 


Amzingly enough, within ten days the books were in the hands of the most far-flung contributors. I see that Leisbeth Wessels in the Netherlands has received hers. Leisbeth's block is on the bottom on the page above. Country Log Cabin's at the top. See Leisbeth's blog here:
http://kleurrijkleven.blogspot.com/2012/12/een-verrassing-uit-amerika.html



And Patchie13 from France emailed that she has hers.

Leonie Weathersley (Just Cruising Mbk),
 
Kathie Coombs (Magpie Memories)
 
Leonie tells me that she (Just Cruising Mbk), Kathie Coombs (Magpie Memories) and Karen Matthews (Kookaburra Calling) are sisters. They all have blocks in the book.
 
Karen Matthews (Kookaburra Calling)
 
Here are some bloggers who have gotten their copies in the mail


Donna at Quilting Bear Gal has got her top together!
 


The bloggers photographed my inscription. Remind me next time to write neater.

The page at the C&T site says the book is ready although your quilt shop may not have it in quite yet.
http://www.ctpub.com/productdetails.cfm?sku=10874
You can also buy it as an eBook at the C&T site.

Thanks for all the help and inspiration. I couldn't have done all those blocks myself.


And thanks again for the quilt you made me, The Circle of Friends, which is right up there in the front of the book.

Saturday, December 15, 2012

2013 Block of the Month: Dixie Diary


Dixie Diary by Sandi Brothers
Quilted by Lisa Olinger
For a Quilt of Many Colors

A few years ago I did a limited edition block-of-the-month pattern titled Dixie Diary for my Moda Civil War reproduction collection Civil War Homefront. A few shops kitted it up in that line of fabric in 2010.

Sandi Brothers pieced it as a BOM for her Indiana shop A Quilt of Many Colors. I read that she and the members of her guild Sisters of the Cloth were invited to demonstrate quilting at last summer's Smithsonian Folk Life Festival in Washington D.C. She brought the Dixie Diary sampler with her.

Sisters of the Cloth
Sandi's on the right.
 
http://www.quiltofmanycolors.com/index.html

I thought I would rework this sampler in my current repro line Metropolitan Fair in pinks and browns---one of my favorite mid-19th-century color schemes.

Here are a few pink and brown antique quilts
for color inspiration.
 
 
They are all from about 1865-1885
This color scheme was quite popular
after the Civil War.
 
 
You better join. It's only 12 BLOCKS--- once a month---first Saturday of each month in 2013---right here. And the blocks are EASY. I really designed it for beginning quilters from 8 years old on up. The blocks will be in two sizes: 12" and 8"

Each block is an original combination of simple piecing and applique. The piecing is basic (One has Y seams---but even beginning quilters have to learn to do Y seams!) and each block has an optional appliqued star or heart in the center. You can opt out of the applique because it's stitched to a finished pieced block.


Each monthly block includes a story taken from one of the great Civil War documents---Sarah Morgan's Confederate Girl's Diary, first published 100 years ago in 1913.

Do check out the first block on January 5, 2013. It'll be right here at this blog address.

If you want to start thinking about fabric: I'm going to focus on pinks and browns so you can go through your Civil War reproduction stash and pull out the double pinks and the madder browns---


I'm going to do it in new Metropolitan Fair prints





 
But any of your Civil War repros will do. I'll show Sandi's and my blocks in the blues and reds of Civil War Homefront. As we've learned from looking at the finished Civil War samplers here you can use anything---batiks, solids, WHATEVER. Put your own stamp on it.

Look for the first block on the first Saturday of January.

Saturday, December 8, 2012

Richmond II


I recently went to the Presidential Mansion of the Confederacy in Richmond, Virginia.

Jefferson and Varina Davis lived here during much of the Civil War.

The house is now surrounded by the Virginia Commonwealth University medical buildings.
Above is the street view.

But from the gardens one can imagine how it looked when Varina Davis lived there.

Here's a Matthew Brady photo of the house from the National Archives. I assume this was taken in 1865 when Brady documented the fallen Confederate capital.
 
Street view about 1935

Garden view about 1910
The cupola on top is now gone.
 

Garden view about 1950
 
 

 
See two posts on the blocks Richmond and Christmas Star with stories of the Davis family in this house.

And see pictures of the interior here.


Saturday, December 1, 2012

Roseann's Blocks

Twin Sisters
 
Because we added ten more blocks to the book than are on the blog I asked Roseann Smith to make 8" versions. She used the reproduction fabric line 1862: Battle Hymn that we did earlier this year at Moda.

Courthouse Square
 It's a very somber collection, reflecting the sorrows of the war.

Old Maid's Puzzle
 
Roseanne loves to fussy cut and miter corners.

Sanitary Commission Nine Patch

Sugar Bowl
 
So I said to her, "Let me put those blocks together." She said "Let me see those blocks."
I handed them over. They have been confiscated.
 My theory is she didn't want me messing with her very nice blocks. She has a point. When she gets them together I'll show you.