Saturday, January 11, 2020

Susie King Taylor & her GAR Quilt

Susie Baker King Taylor (1848-1912)
Photo from her autobiography
Reminiscences of My Life in Camp with the 33rd US Colored Troops.

In 1898 Susie Taylor, who had been a slave in Georgia and as a free teenager a laundress and teacher  during the Civil War, made a "large quilt of red, white, and blue ribbon" for the second annual fair to benefit the Massachusetts Woman's Relief Corps at Christmas time in Boston. She was an active member of the Robert A. Bell Corps (Post #67), vice-president that year of the women's auxiliary to the African-American G.A.R. veteran's group. She and her fellow volunteers ran a table, the traditional women's fair booth. Theirs sold miscellaneous items and her quilt was probably offered at the table.


The quilt did not sell but on December 18, 1897, the fair's last evening, prizes were awarded and Taylor's "Old Glory" quilt was chosen to be given to the Fair's President Emilie Jewett Waterman. Taylor wrote in her autobiography a few years later that the quilt "made quite a sensation."  She must have been pleased with it and we'd love to see what her Old Glory Quilt looked like, but no traces are found beyond the last night of the fair.

(1846-1933)
Emilie L. W. Waterman's photo from the account of the 1898 Fair.
 Her full name: Emilie Louisa Wild Jewett Waterman

Taylor had moved from Savannah to Boston in the 1870s. She was widowed, raising her only child,  a son, as a domestic worker. In her memoir she recalls working for relatives of Boston mayor Harrison Gray Otis.


In the 1880 census she is recorded as living with Harriet Webb Gray and Gorham Gray on Beacon Street, perhaps in this house at 433 Beacon Street.  She married her second husband Russell L. Taylor in 1879 at the Midway Church in Liberty County, Georgia. 

The Taylors may have been married here.

Perhaps Russell belonged to the Robert A. Bell Corps of the G.A.R., a segregated Union veterans' group. A history of the corps:
"Several ladies interested in Robert A. Bell Post united in forming a Relief Corps which was instituted Feb. 25, 1886, with sixteen charter members.... Membership, fifty-two. PRESIDENTS. Mary L. Hammond, Sarah E. Johnson, Mary L. Hammond, Addie H. Jewell,. Susie A. Taylor."
In her memoir Taylor recalled some of the work:
"In 1886 I helped to organize Corps 67, Women's Relief Corps, auxiliary to the G. A. R., and it is a very flourishing corps to-day. I have been Guard, Secretary, Treasurer for three years, and in 1893 I was made President of this corps." 
The  W.R.C. groups purchased furnishings for G.A.R. meeting rooms, provided charity for veterans and their families and supported veterans' homes and memorial day ceremonies. They raised money through fairs, theatricals and musical events.

By the time Susie Taylor King died in 1912 African-American 
women had many clubs and organizations competing for
membership. The GAR and its women's auxiliary disappeared in the 1950s.


Two years before her death Susan A.K. Taylor was President of Post 67,
The address: 21 Holyoke in Boston. WRC meetings were every other Wednesday evening.

21 Holyoke today

Was this Taylor's home or just the group's meeting place?

GAR posts were generally named after soldiers who'd died in the Civil War. Robert A. Bell had been a sailor killed at the Battle of Fort Fisher in North Carolina. His mother was said to be a member of Taylor's group.

The 1900 census found Susie A  and Russell Taylor running a boarding house with 10 lodgers and a 19-year-old niece living with them, possibly at 34 Buckingham Street, where Russell died the following year.

Russell Taylor's death certificate, October, 1901

Vincent Memorial Hospital about 1900

The 1910 census listed Taylor as a resident employee of the Vincent Memorial Hospital on Cunningham Avenue. Vincent Memorial was a woman's hospital created for working women with an obstetrics department that became part of Massachusetts General Hospital. As the oldest woman living there she was described as a servant rather than a nurse. The nurses were unmarried white women, generally in their 30s.


Susie Taylor's quilt hasn't been heard of since she wrote her book.
We'd love to see what it looked like.

Wednesday, January 8, 2020

Yankee Notions #1: Open Book

Yankee Notions #1
Open Book by Denniele Bohannon
12"


We'll begin the Yankee Notions series with a block about the idea of literacy and the value New Englanders have placed on education since the first Puritans landed.

The Massachusetts Bay Colony passed a law requiring parents and masters to teach children to read as early as 1642. New England was home to the first colonial colleges and also to the 19th-century principle of common schools with the Yankee notions that education should be universal, non-sectarian and free.

Yankee schoolteachers spread these ideas in the South before, during and after the Civil War.

Yankee schoolteacher Laura Towne (1825-1901) with 
Dick, Maria and Amoretta in Union-occupied 
South Carolina sometime after 1862.


Graphic showing the proportion of illiteracy in the states in 1850, from an 1870 Report by the Commissioner of Education based on the censuses. Dots do not show numbers but rather proportions with New Hampshire and Connecticut having the fewest people who cannot read as a basis for comparison.
"Wherever the Yankee soldier has tramped the Yankee Schoolmarm will teach. Noble and chivalric gentlemen may throw stones at her windows, burn her schoolhouse, drive her from their neighborhood; but she reappears---she, or her cousin...." Atlantic Monthly 1869.


Southerners, of course, resented the often-heard criticism that they were ignorant and illiterate. Confederate diarist Mary Boykin Chesnut took delight in describing the spelling errors found in  letters scattered on battlefields among the dead soldiers.
"Free schools are not everything, as witness this spelling. Yankee epistles from camp show how illiterate they can be, with all their boasted schools. Fredericksburg is spelled 'Fredrexbirg,' medicine, 'metison'...."
Western Female Institute, Ohio

The concept of free public schools was a Yankee Notion that divided the country, as was the idea of public taxes to support those schools. Schools cost money; good schools cost lots of money. Who is willing to pay for it?

Virginia Governor William B. Giles (1762-1830) spoke for many when he criticized the Jeffersonian ideal of  public education. Schooling the boys of Virginia would make them unfit for farm and other manual labor that was their lot; hiring teachers would create a voting class with a special interest in the high taxes schools demanded and it was not fair to levy taxes on one taxpayer to benefit another's child.
The Block

Chocolate & Cinnamon traditions

BlockBase #2597 has been published with many names over the past century. Open Book is from a catalog identified as Needlecraft Supply in the 1930s.

The pattern is older. The block above is dated 1872.
Sorry about the Y seams.

Each month you'll get patterns for two sizes: 12" or 18" Blocks.

12" Block

A - Cut 4 parallelograms from a strip 3-1/2" wide at 45 degrees. The base should be 6-3/4" long.
B - Cut 1 square 7-1/4". Cut into four triangles with two diagonal cuts.

C - Cut 1 square 6-1/2".


18" Block
A - Cut 4 parallelograms from a strip 5" wide at 45 degrees. The base should be 9-3/4" long.
B - Cut 1 square 10-1/4". Cut into four triangles with two diagonal cuts.

C - Cut 1 square 9-1/2".


How-To




Open Book by Dorry Emmer
She's using some notions fabric in one set of blocks.

A Tangible Yankee Notion
Thimble


Thimbles (the German word is Fingerhut which explains the concept nicely) have been around since humans invented needles. Made of various materials, particularly leather and metals, they can be hand made or manufactured. 


Manufactured metal thimbles were one of the sewing notions a Yankee Peddler would carry to housewife customers north and south.

The Peddler's Wagon by Charles Green Bush, Harper's Weekly, 1868

Thimbles commemorating Queen Victoria's
ascension to the throne and her 60th Jubilee.


Open Book by Dorry Emmer
Dorry added a frame to spotlight her flying creatures fabric in
her second set of blocks.

Open Book by Becky Brown

And Becky added pieces in the center square to make it a 3-color block.

Denniele is doing two sets, one 12" and this one 18".
She says that 9" square in the center needed more pattern so she cut strips:
Cut 4 orange 1-1/2" x 9-1/2" strips
Cut 5 white 1-1/2" x 9-1/2" strips
Alternating colors, piece the nine strips together.
Sign at the German Fingerhut Museum

Saturday, January 4, 2020

Secession Album Quilt

Unquilted Album 
77 " x 61 "
From the collection of pottery collector
Robert Hunter of Williamsburg, Virginia

Jeffrey S Evans Auctions recently sold this album sampler.


One block with a Secession theme stood out:
"Block with 11 red stars above the South Carolina palmetto tree having an inscription from the French Revolution Marseilles hymn reading

To arms! To arms, ye brave
The avenging sword unsheath,
March on! March on! All hearts resolved
On victory or death."Signed Hattie Cameron / Oakgrove Aug 1st 1861."
"Catalogue Note: Hattie Cameron is probably identified as Savilla Harriet Cameron (b.1840-d.1867) of Fairfield, SC, daughter of Robert G. Cameron (1799-1873) and Savilla H. Feaster (1802-1886)."


The 20 blocks show a range of style, skill and fabric.
Many look to date from after Hattie's death.

Hattie died in 1867 at 27 years old shortly after the war she so heartily supported. She'd given birth to two children in her marriage to Leroy Mangum McAfee of the 49th North Carolina Infantry, whom she married in 1863.

Ruched florals in a woven basket 
Maryland influence?

Open wreath signed ? Robinson, more Maryland style

Her block and perhaps a couple of the others date to the 1860s but the Evanses noted:

"Blocks likely stitched together later with fugitive color border along each side, having later added backing. Blocks circa 1861, backing later."

The pink backing is an odd choice. Looks like silk lining fabric one could
buy already quilted, often used as coat lining. The wide binding was
probably once red or green.

Hattie's father Robert Gregg Cameron (1799-1873) was a slave owner and one young member of his plantation population was interviewed years later in the Slave Narrative project of the W.P.A. Nelson Cameron's father Vander worked in the tan yard tanning leather and shoes. He "belonged to one of the big bugs, old Marse Gregg," remembered Nelson who was probably about 10 when the war was over.


"All through the 'Carpet Bag' days my pappy stuck to the white folks, and went along with the Klu Kluxes. His young mistress, Miss Harriet Cameron, married the Grand Titan of all the Holy invisible Roman Empire...Pappy told me all about it....McAfee came down from North Carolina [to visit Feaster Cameron]....While on that visit he fell in love with Marse Feas's sister Harriett and married her....Sundays [my pappy] he'd take that long walk to Concord Church to put flowers on her grave."
Here's a link to the auction:

I brightened up the photos

One of the blocks is signed Gladney, a common name
in Fairfield County, South Carolina.

The wheel block with the scalloped edges here is
called a Sundew or Carolina Medallion today.

Read more about this pattern here:

A link to Nelson Cameron's memories of Harriet's family:

Wednesday, January 1, 2020

Applique Border for Cassandra's Circle

97” x 97” with 12-1/2” Finished Border. The general idea.
Cassandra's Circle BOM begins on the last Wednesday of January here.

The rose border, digitally sketched from an antique quilt, is simple but requires some skill in arranging the curves of the bias vine to fit gracefully and go around the corners. It's probably a good pattern for beginners who want to learn how to use bias strips and fit vines into borders. The leaves are a little confusing here. See the actual shape below. Each leaf is one piece although they look 2-color here.

Here's the inspiration. I changed the shapes.

Fabric for Applique
Red for flowers: 1 yard
Yellow for floral centers: 1/2 yard
Green for leaves:  1-3/4 yard
Bias Math
Green for vine & stems made into 1/2" bias strips (cut 1" wide): How many yards? (The math is too much for me.) But I'm guessing you’ll need about 10 yards (360 inches). That's about 2-3/4 yards of bias per side.  

Here's a formula I found at the Sewing Loft Blog.com.   

They say: For example with 4 inch bias:
 360″ of bias x 4 1/2″ wide = 1620  ÷ 42″ wide fabric = 38.57″ ÷ 36 = 1.07 yards of fabric.

For 1 inch bias:
360" of bias x 1" wide = 360 ÷ 42" wide fabric = 8.6  ÷ 36 = 1/4 yard of fabric. Is that enough?
I'd buy a yard of fabric. 

Stems. Cut 3” long strips, 28 of them.

Here's how to cut continuous strips of bias from APQ:

Background

If you are not going to piece your background strips you will need 5-1/2 yards. You can get 3 strips out of one 2-3/4 yard piece.
  • Cut strips 13” wide
  • Cut 2 strips 13” x 72 1/2” for the top & bottom.
  • Cut 2 strips 13” x 97 1/2” for the sides.
Scroll down for the pattern sheets.


Print out these patterns on 8-1/2" x 11" sheets of paper.
This rose in various sizes is the basis of many of the blocks in the quilt.
Applique the circles to the roses before appliqueing roses to the vine.