Saturday, February 16, 2013

Don Beld's Reproduction Quilts on Display

Sanitary Commission Soldier's Aid
quilts from the cover of 
Civil War Quilts by Pam Weeks and Don Beld


Don Beld recently donated his collection of six reproduction Sanitary Commission quilts to the International Quilt Study Center and Museum. The Museum is showing them along with some of his  9/11 Tribute quilts.



Civil War U.S. Sanitary Commission Quilt Reproductions by Don Beld will be on display at the Museum in Lincoln, Nebraska,  from March 12, 2013 to August 18.

Click here:
http://www.quiltstudy.org/exhibitions/upcoming_exhibitions.html

Here is the 1864 original of a quilt made by a Soldier's Aid Society

And Don's reproduction.



Saturday, February 9, 2013

Fanny Kreeger Hallar


A Kreeger family member recently sent me a link to this photo of Fanny Kreeger Hallar, probably taken about the time of her marriage to George Washington Hallar in 1876.


I was thrilled to see a picture of Fanny as she is someone I have been tracking for years.


One of the reasons I got interested in quilt history was this old pattern from the Kansas City Star in 1929. Columnist Ruby Short McKim of Independence, Missouri, told the story of the pattern she called Order Number Eleven, something she revised for her book 101 Quilt Patterns.
Notice the Order #11 block in my Circle of Friends
 quilt you readers made for me.

McKim told the story of Fannie Kreeger Haller (It's probably really spelled Fanny Kreeger Hallar), “a dear old lady in her eighties who was a little girl …back in war times [who'd] seen her mother’s choice new quilt snatched from the bed by marauders. She carried the memory of this striking pattern in her mind.... and years after reproduced the quilt, christening it 'Order No. 11'."
Having read a lot of far-fetched quilt history I was inspired to see if I could find out anymore about Fanny Kreeger Hallar. She indeed existed and following her trail led me into many more stories about the border wars in Kansas and Missouri before and during the Civil War.

A similar block dated 1849

Order Number Eleven was named for a Union order forcing Southern sympathizers to leave their homes in 1863 after Missouri Bushwhackers under the control of William Quantrill burned the pro-Union town of Lawrence, Kansas. The Federal Army issued the order evacuating four counties in western Missouri, permitting Union soldiers and guerillas to terrorize families into leaving by burning their homes and stealing their possessions. The roads south and east of Kansas City were filled with frightened and angry refugees, among them the Kreeger family of Lone Jack, Missouri, who lost their Hickory Leaf quilt to the enforcers.
Martha Frances Kreeger was born August 21, 1853 in Lone Jack, Missouri, near Independence. She was just ten when her family had to leave their farm. Her obituary told about their trip east into Missouri. They drove with "an ox team to Davis, Lafayette County, Mo., staying there the following winter. When they crossed the Tebo River in Lafayette County the oxen were so thirsty, they broke from the drivers' control and plunged into the stream." Fanny was able to follow that path many years later in an automobile.


In her early twenties she married widower George Washington Hallar. Buried near her are two young children Willie and Mable. In 1884 a daughter Aileen Hallar was born. Aileen survived and outlived her mother.

Wash Hallar (1836-1903) farmed near Blue Springs in Jackson County, Missouri. He also carried mail for the government overland from Independence to Salt Lake City before the Civil War.  Like many other young men of Jackson County, Missouri he and his brothers allied themselves with the Bushwhackers,  proslavery guerilla fighters. After the national Civil War began brothers William and James Albert (Abe or Ab) joined forces with William Quantrill's troops and 21-year-old William was killed in April, 1863. Abe is counted among the men who rode with Quantrell to burn the town of Lawrence, Kansas, in August, 1863. He was shot and killed a month later at the age of 20.


Brother Oliver survived the Civil War but led a troubled and violent life. He killed his wife Alice Noland Hallar and her "paramour" in Pueblo, Colorado in 1883. An alternate family tale (see the comments) is that he shot her accidentally while trying to kill a boarder in her Denver boarding house in 1888. Ten years later he shot himself.

Whether Wash rode with the Lawrence raiders is a little vague but he was one of the group who met with Quantrill's mother when she visited the Kansas City area in 1888.
The Kreeger family had members just as wild as the Hallars---it was an epidemic along the Kansas/Missouri border. Robert A. Silva wrote to say he is publishing a biography of his ancestor Lewis M. Kreeger, titled Lead in Trinidad. Lewis Kreeger, a cousin of Fanny's, was said to have ridden with Quantrill and served as sheriff in Trinidad, Colorado at the end of the century. Bob wrote and asked if I knew where those quilts made by Fanny's mother Araminta Daniel Kreeger were.

I wish.


He is querying his cousins and perhaps some antique Hallar/Kreeger quilts will show up.




Somehow Fanny and Wash Hallar managed to put the Civil War behind them, although they carried the memories. They lived near Blue Springs, I think, in this handsome house that Wash began during the war. His obituary said he "built the old Proctor residence and nearly every brick house in the eastern part of (Jackson) County for fifteen years after the War." Wash died in 1903 in his late 60s. The house was still standing when I drove down Woods Chapel Road a few years ago.
Fanny lived on in Independence with her daughter and told at least two stories about quilts to Ruby McKim, but she didn't live to see the tales in print. Her mother's Seth Thomas Rose pattern appeared in the Star on October 12, 1929, a few weeks after Fanny's obituary. Order Number Eleven was published November 23rd.
I write about the Kreeger quilts a lot, because they are such a fascinating link to local history.
Here are some prior posts:


Saturday, February 2, 2013

Dixie Diary 2: Checkered Allegiances

Block 2
Checkered Allegiances
8" version

Block 2 Checkered Allegiances
12" version with 1" frame
by Sandi Brothers

A checkered block represents the heart of the Southern and Northern loyalties in the Morgan family.
Photographer Andrew Lytle recorded
 Baton Rouge's occupation.
Here, Union tents camped near the Morgans' houses.

Baton Rouge (white star) is on the Mississippi River
northwest of New Orleans
In spring, 1862, Baton Rouge was at the center of a war zone with Union forces in charge and Confederate General Beauregard threatening to retake the town. The family had split their allegiances. Sarah's eldest brother Judge Philip Hicky Morgan was a Union supporter who left town. Two brothers, Gibbes and George, had joined the Confederate Army and the youngest boy Jimmy was in the Confederate Navy.

James Morris Morgan was about
 17 in 1862. He'd been a cadet at the 
United States Naval
Academy when the war began.

Brother-in-law Richard Coulter Drum
 was promoted  to General after the War.

Sister Lavinia Morgan Drum, ten years older than Sarah, was married to a Captain in the United States Army, one who remained loyal to the Union. Lavinia and Captain Drum spent the Civil War in California.


With father and brother Henry dead and the others in the armed forces on opposing sides, the Morgan women---mother, sisters and sisters-in-law---were left in their homes, adjacent houses on Church Street. Should they stay in town and brave the coming battles or flee to a family home in rural Greenwell Springs? Unpracticed in making important decisions, they felt unable to act.

From Sarah's diary:

June 4 1862, Baton Rouge

"Our condition is desperate. [Confederate General] Beauregard is about attacking these Federals. They say he is coming from Corinth, and the fight will be in town. If true we are lost again. Starvation at Greenwell, fever and bullets here, will put an end to us soon enough. There is no refuge for us, no one to consult. Brother [Philip], whose judgment we rely on as implicitly as we did on father's we hear has gone to New York; there is no man in Louisiana whose decision I would blindly abide by. Let us stay and die. We can only die once; we can suffer a thousand deaths with suspense and uncertainty."
Applique a heart or a star after piecing.






Cutting 12":

A – Cut 2 light and 2 medium light squares 4-3/4".
B -  Cut 1 dark and 1 medium dark square 7-1/4". Cut each into 4 triangles with 2 cuts.


Cutting 8":

A – Cut 2 light and 2 medium light squares 3-3/8" (3-5/16" if you use the 1/16" default in EQ).
B - Cut 1 dark and 1 medium dark square 5-1/4" (5-3/16"). Cut each into 4 triangles with 2 cuts. 






Notice how the dark/light shading changes in those triangles.




James in his seventies

Sarah wasn't the only writer in the Morgan family. Brother James wrote his own memoirs of the Confederate Navy.


And their Union-sympathizing brother Philip Hicky Morgan left his mark as grandfather to the three beautiful Morgan sisters of the 1920s: Consuelo Morgan Thaw and twins Gloria Morgan Vanderbilt and Thelma Morgan, Lady Furness. Read more about the more modern Morgans here:
http://bullrunnings.wordpress.com/2008/04/28/family-ties-kilpatrick-part-ii/

Saturday, January 26, 2013

AQSG Quilt Study 2014: Civil War Reproduction

Georgann Eglinski
Becovering Before 1840
AQSG Quilt Study

The American Quilt Study Group encourages members to study quilts in a variety of ways. Years ago Bobbi Finley and Penny Tucker realized that one effective way to study an antique quilt is to copy it, so they invented the biennial AQSG Quilt Study. Pictured are a few quilts from one round studying "Bedcovers made before 1840." The upcoming round will study "Quilts from the Civil War: 1850-1865"

Becovering Before 1840
AQSG Quilt Study
Janet Locey on left,
Penny Tucker on right


Penny Tucker



Bobbi Finley

The co-chairs are now Greta VanDenBerg and Florence McConnell. Here's the announcement from AQSG about the latest round for 2014:

 "The focus of the 2014 Study will be Quilts from the Civil War: 1850-1865 covering the years leading up to and including the American Civil War. This study serves as a way of learning about our quilt heritage and to help promote AQSG.

"Please take a few minutes to read through the following guidelines. As the popularity and participation in the Quilt Studies has grown, it has become necessary to adjust some of the requirements. Most important are the guidelines for obtaining per­mission from the owner of the original quilt or quilt image used as inspiration for the Participant’s quilt. Therefore, it is a good idea to obtain the required permission before beginning your study project.

"If you plan to participate in the 2014 Quilt Study, it is important to promptly notify the Quilt Study Committee as soon as possible to receive forms and updated information as it becomes available (see contact information below). Exhibit space at Seminar will be limited to fifty (50) quilts and preference will be given to Participants ACCORDING TO THE POSTMARK DATE OF THE FIRST PERMISSION FORM RECEIVED.

"The following rules apply:

· For purposes of this Quilt Study a Civil War Quilt is defined as a quilt made between the years 1850-1865. The inspiration quilt must be clearly identifiable as a quilt from this time period using traditional methods of dating textiles.

· Participants may create an exact replica of the inspiration quilt, reproduce a portion of the inspiration quilt, or create a quilt ‘inspired’ by the inspiration quilt.

· Only AQSG Members may participate on any individual or group project. Each individual and/or group will be limited to submitting one quilt.

· An overall maximum measurement of 200 inches total for all four sides will be strictly enforced.

· To be considered a Quilt Study Participant each individual or group must submit a completed and signed Participant Release form to hold a place in the Seminar Exhibit. This form MUST BE SENT VIA REGULAR MAIL. Forms will be accepted as exhibit space allows through August 1, 2014. A waiting list will be created when the 50 spaces available at the Seminar Exhibit have been filled.

See more here:
http://www.americanquiltstudygroup.org/Quilt%20Study.asp

View a few from the Star study round:
http://barbarabrackman.blogspot.com/2010/12/aqsg-star-study.html

And see last year's Colonial Revival study here:
http://www.americanquiltstudygroup.org/qs20cstudy01.asp
Click on next to see a range of quilts.

Saturday, January 19, 2013

New Groups: Civil War Sampler

From Buried in Scraps

I am still trolling the web for finished tops and quilts done from the block of the week here.
  
Jeanne at Spiral

If you didn't get finished---or even started--- here's a new group that Fat Quarter Shop is featuring on their blog.


Kimberly's White House

 They are combining my Civil War Sampler book with the bright Pam Kitty Love fabric line. Beginning December 15th they're posting 5 blocks per month.


Debbie's Barbara Fritchie Star
Here's more
http://fatquartershop.blogspot.com/2012/12/back-to-school-with-pam-kitty-row-1.html




Now you may prefer a more 1860-ish look, in which case check out Primitive Gatherings Quilt Shop Blog and their kits for the blocks made from the book:

Saturday, January 12, 2013

Dixie Diary Inspiration Quilt

Album Quilt attributed to
Margaret English Wood Dodge
DAR Museum

The simple patchwork in the Dixie Diary Block of the Month with an appliqued heart or star on each block was inspired by blocks in this quilt in the collection of the Museum of the Daughters of the American Revolution.

See the digital file on this quilt at the Quilt Index here:

It's a signature album quilt, a sampler of blocks, signed by different people. Some are standard album blocks, such as the Chimney Sweep, quite popular for friendship blocks. What caught my eye were the basic appliques.



I blew them up so you get the idea

You just don't often see this combination of piecing and applique and I thought it was quite charming.

Here's a summary of what the worksheet and the museum's catalog says about the quilt and the maker plus what I've been able to find out.

It's attributed to Margaret Dodge who was born Margaret Wood English in Montreal, Canada in 1783. In 1801 when she was about 18 years old she married New Yorker John Dodge in New York City. John was an artisan: a metalsmith and watchmaker.


Here he is advertising for an apprentice in 1806 when his business was at 64 Wall Street, opposite the Tontine Coffee House.
  
Francis Guy
The Tontine Coffee House, about 1797
The Coffee House, the center of trade and social life in early
Manhattan is on the left.

Margaret gave birth to eleven children between 1802 and 1822. The fourth, her eldest son John Wood Dodge, had a talent for drawing. As an adolescent he taught himself miniature painting and quickly became quite successful in this art.

Miniature on ivory of Varina Howell Davis
by John Wood Dodge
Notice in the miniature that
Varina is wearing a miniature of a dog.

In 1830 Margaret's husband died leaving her with four children under 16. She never remarried. Her widowhood was marked by much sorrow as she lost eight of her adult children between 1830 and the Civil War. Only two children, John and William, outlived Margaret.

Margaret is recorded as a quiltmaker during the Civil War. The DAR Museum has two other quilts donated by her descendants.

Patriotic Quilt by Margaret Wood Dodge
DAR Museum
This unquilted, bound spread was donated by
Margaret's great-great granddaughter

The patriotic spread was made from a color pattern published in Peterson's Magazine in 1861. Margaret was about 78 years old that year when the Civil War began.
See more about the Peterson's Magazine pattern here:
And see the DAR Museum file at the Quilt Index here:

Patriotic Eagle Quilt by Margaret Wood Dodge
& John Wood Dodge
DAR Museum
Painted Cotton, unquilted spread

This eagle quilt was a collaboration between Margaret and son John who painted the eagle on the cotton in the center. The stars and stripes that Margaret stitched are based on the Peterson's design.
http://www.quiltindex.org/basicdisplay.php?kid=46-7A-D4

Self-portrait by John Wood Dodge
John's fame and Margaret's age
contributed to the eagle quilt's success.

In the recent catalog of the DAR Museum's quilts the curators comment on Margaret's needlework skills, perhaps a reflection of her age: "Neither of these spreads shows much finesse in the acutal needlework," a nice way to say it.


Margaret is also recorded as making a fourth quilt. The eagle spread above is a cotton copy of a silk spread that John and Margaret displayed at the Brooklyn Sanitary Fair in 1864. The DAR Museum catalog notes that the Brooklyn Eagle described a prizewinning "unique and handsome bedspread, in the form of the National Banner." Two hundred donors gave a dollar each to buy the quilt to send to President Abraham Lincoln with a letter:

March 7, 1864
"A few of your fellow-citizens have the honor of offering for you acceptance herewith, a silk 'Bed-Spread,' formed of the National Colors, and emblazoned with the Stars and Stripes and the National Eagle... from the hands of a venerable and loyal woman, Mrs. Margaret E. Dodge, who has reached the age of eighty-one years...."

Lincoln wrote back on April 1: "Permit me to return my most cordial thanks for the beautiful present transmitted by you...."

Margaret may also have shown that quilt at the 1864 Metropolitan Fair in Manhattan at about the same time. The accounts of that fair mention "an item made notable by the age of the maker: "A silk quilt representing a flag made by a lady seventy years old." Or it may be a fifth quilt since Lincoln seems to have had his silk quilt in hand during the Metropolitan Fair.

See more about quilts at the Manhattan fair here, and note Virginia's comment.
http://barbarabrackman.blogspot.com/2012/10/quilts-at-metropolitan-fair.html

The Presidential gift must have been a highlight of Margaret Dodge's life. Quilt historians often hear stories about quilts donated to Lincoln, but this is one with some actual documentation in the Fair accounts.

After the War Margaret moved west with her son William Henry Dodge and his family. She died in Clinton in western central Missouri on April 30, 1873, where she is buried.


Back to the sampler at the top of the page:

This quilt was also donated by Margaret's family. The worksheet indicates it was quilted in 1902, long after Margaret's death. It's thought to have been stitched in the 1860s or '70s.  The alternate blocks are appliqued circles, surrounding a patriotic Union shield. Although the blocks are signed by various people, their simplicty does have the look of a single maker---one, to put it kindly, who doesn't show "much finesse in the acutal needlework." I'd guess this is Margaret's last quilt top or last set of blocks, made sometime between 1864 and her death nine years later.

So as we make a dozen blocks inspired by Margaret's quilt over the next twelve months we can remember her and how proud she must have been to see her quilt raise $200 at the Sanitary Fair for the Union Army and then wind up at the White House. We can also wonder how many other quilts she made in her long life.


The new catalog, Historic Quilts of the DAR Museum is available from the museum store:
http://www.dar.org/omni/store/store32/historic_quilts_of_the_dar_museum_book_10253989630.html?nav=10253989820


And they offer a wooden box with the eagle quilt pictured on the lid:
http://www.dar.org/omni/store/store32/dar_museum_eagle_quilt_box_10254453790.html?nav=10254457780
Read more about gifts to Lincoln at this post on the Railsplitter blog:
http://railsplitter.com/?page_id=242