Wait A Minute---Why Not Red and White?

That Red and White exhibit (Infinite Variety) from the American Folk Art Museum last year really got people thinking about this two-color combination. Both the shops I hang out in have been doing something red and white. Above, Prairie Point in Shawnee, Kansas, had a show of contemporary red and white quilts in February.

The Sewhatevers at Sarah's Fabrics in Lawrence are working on a red and white sampler.

Indiana Puzzle

Why couldn't you do all these Civil War blocks in red and white?

Right Hand of Friendship

There's an old tradition of red and white samplers.

Here's one dated 1877.

I Photoshopped some red and white into Becky's quilt

And Linda H.'s...

(I hope they forgive me)

Well it's an idea. Maybe you don't want to start all over again.

You'd have to buy new fabric.

And the most effective is solid red and solid white----You'd probably need 5 yards of each for a full-size quilt.

See more about the Infinite Variety Show here:

http://www.folkartmuseum.org/?p=folk&t=images&id=8664

But prints are good too. See Gina Rockenwagner's quilt inspired by the show here:

http://www.ginarockenwagner.com/post/11841885389/back-in-march-i-had-the-pleasure-of-seeing

Book Cover

Here's a sneak preview of the cover of the book. The designer recently sent a picture---I'm just giving you a preview as it's a secret, you know. It'll be called Barbara Brackman's Civil War Sampler but it should be Barbara and Becky's Civil War Sampler---as it's Becky's quilt up there.

Liberty & Union,by Becky Brown

 85'' by 101 1/2'' , 

 machine quilted by Deb Jacobs, 2011.

You'll recognize the blocks from the many posts in 2011.

Thanks to Becky!

The book will be shown to shop owners at fall 2012 quilt market. It will be in shops December 2012. Just in time to make it onto your Christmas list.

Blocks on Point

Conny's Quilts

Setting the blocks on the diagonal is something that mid-19th-century quilters liked to do. It presents a few design challenges,which readers have solved in a variety of ways. What to do with the edge triangles? Above, a nice solution from Conny's Quilts.

ImaQuilter Wis.

Putting the blocks on point means you don't need as many---you can make two quilts, especially if you alternate with unpieced squares.

Kookaburra Calling

And if you put a large block in the center--- a feathered star is always eyecatching--- you need fewer than 52.

Leigh Ann used a Southern Star block for the center.

.

Lois O.

And then you can do this--- but I'm not going to figure out the math.

Lois has the border on it now. See her stream for a detailed picture of the clever double geese design. She says it's paper pieced. http://www.flickr.com/photos/l_olsen/

Dogs on Civil War Quilts

My sister Jane Brackman who writes about the history of dogs asked me about dogs during the Civil War. I have a few pictures of dogs on Civil-War-era quilts which I thought I'd post here.

Above is a detail of a dog on the Confederate quilt by Susan Robb at the Museum at Texas Tech. See the whole quilt here:

http://ethnologyandtextilesmttu.com/tag/civil-war-era/

Blue and Gray Battle Quilt

by Nancy Hornback

Nancy put her Confederate soldiers in butternut but kept the yellow dog in her interpretation of Susan Robb's quilt.

General George Armstrong Custer and dog, picture from the Library of Congress.

These big dogs aren't too familiar to us but my sister says they are Newfoundlands---they used to be colored like this.

Here's a dog from the Lucinda Honstain's "Reconciliation Quilt" in the collection of the International Quilt Study Center and Museum. When Karla Menaugh and I copied this block for our Civil War sampler War & Pieces many years ago I saw it as a Golden Retriever. But now I bet it was a Newfoundland.

See the Honstain quilt at this link:

http://cdn.firespring.com/images/79f9dec0-07af-4df9-9820-c8ae3ec93fef.png

More dogs from the same quilt.

The quilt was made in Brooklyn, New York.

Similar dog on a strip of grass from another New York quilt, this one called the Bird of Paradise Quilt from the Museum of American Folk Art. People are reproducing his quilt now as the Civil War Bride's Quilt---although the connection to the Civil War is not too strong.

Dogs on Civil War Quilts. What's it all mean?

Probably nothing more than an image of the domestic life the soldiers left behind as in this Union envelope.

You actually see more cats on these Civil War memorial quilts than dogs. See my post on cats here:

http://barbarabrackman.blogspot.com/2011/03/cats-on-quilts.html

Too bad this guy wiggled so it's hard to see what kind of dog he is.

The camp dogs aren't always big dogs.

Notice this little lap dog here.

See Jane's post on a photo of a Civil War veteran and two dogs here at her blog Dr. Barkman Speaks:

http://doctorbarkman.blogspot.com/

Dustin's Done!

He says it took all year... but it looks great.

He runs our Flickr page

and helped coordinate the gift quilt for me.

He dedicated this top to Doris Caudill in this photo

 (from the Library of Congress)

"This image keeps popping up in my mind, esp. while I was putting this top together. I just ordered the book about her today." It looks to me like he's captured the color in her cotton dress and apron.

 

He works and farms

And makes quilts.

You'd better check out his Flickr stream:

http://www.flickr.com/photos/11817810@N04/with/6857447891/

What To Do If Your Blocks Aren't the Same Size

Honas52's blocks were probably all the same size, but I thought her set was a smart way to set sampler blocks or blocks made by a group, which are never the same size.

She added corners to the 8" blocks,

rotating the sampler blocks so they are on point.

She used scrappy pieced corners all in this pattern.

You could also use a plain triangle.

The good thing about the math is that if you make the corners a bit large you can then trim the new blocks to a consistent size. No one (not even YOU) will notice that some sampler blocks are a little bit larger than others.

Getting out my blue card, my Fons and Porter's Quilters Need to Know Card (indispensible). I see that the 8" finished blocks will now have a finished line 11-3/8" across the middle. I figured out a pattern with a little to spare in EQ.

I'd cut squares 6-3/4" and slice in half for the triangles.

That will give you a finished square 11-3/4" (12-1/4" with seams). Then you can trim to a conisistent size, which would probably be 11-3/4".  Make the triangles bigger if you want a finished 12" square.

Now adding that piecework pattern to the corners is a different thing. Too much for my math skills.

But didn't Terry do a lovely job?

Here's her photostream:

http://www.flickr.com/photos/55917145@N08/6722699045/in/photostream/

Patchie's Tiny Blocks

"Patchie" in France did the blocks at 2" by hand.

It was fun each week to see her block next to her thimble for scale.

She made tiny quilts (about 5" x 9") of 8 blocks each.

She showed us the back so we could see how she did it---with stitching lines in pencil

 See her Flickr photostream here:
http://www.flickr.com/photos/58287794@N07/5946045685/in/photostream/

It's not only her sewing that's admirable. Her fabric choices are very clever.