Showing posts sorted by relevance for query Hospital Sketches. Sort by date Show all posts
Showing posts sorted by relevance for query Hospital Sketches. Sort by date Show all posts

Wednesday, November 20, 2019

Hospital Sketches: Pattern Posts


HOSPITAL SKETCHES 2019
Nine Popular Mid-19th Century Applique Blocks
By Barbara Brackman & Becky Brown

Here's a list of all the pattern posts for the nine blocks of the Hospital Sketches applique Block of the Month. Patterns were posted here on the last Wednesday of each month from January to September, 2019

INTRODUCTION

1 Roseanne Smith

BLOCK 1: PERIWINKLE WREATH

2 Marty Webster

BLOCK 2: VIRGINIA COCKSCOMB


3 Becky Brown
BLOCK 3: LOVE APPLE

4 Bettina Havig

BLOCK 4: COCKSCOMBS & CURRANTS

5 Rebecca Schenkenberger

BLOCK 5: PINEAPPLE

6 Kathryn Jones

BLOCK 6: MOUNTAIN LAUREL

7 Janet Perkins

BLOCK 7: TENNESSEE ROSE

8 Mark Lauer

BLOCK 8: TRIPLE TULIPS


9 Jeanne Arnieri

BLOCK 9: STAR OF THE EAST


Wendy Reed

Never too late to start.

Wednesday, January 30, 2019

Hospital Sketches #1: Periwinkle Wreath - The Union Hotel

Block #1 Hospital Sketches
Periwinkle Wreath by Becky Brown

We begin the Hospital Sketches applique sampler with Periwinkle Wreath, recalling the Union Hotel Hospital in Georgetown, Washington City.

Union Hotel Hospital 
During the Civil War

Hannah Anderson Chandler Ropes (1809-1863) was the matron
at the makeshift hospital.


Matrons were more housekeepers than medical assistants. Hannah would have been in charge of the kitchen, the laundry and the female nurses, although she certainly worked one on one with patients. Hannah was in her early fifties when she arrived in summer, 1862, readying the building to take wounded from the Seven Days campaign near Richmond, Virginia. 

Louisa called it the Hurley-Burley House Hospital

Right before Christmas Hannah welcomed a new volunteer: "We are cheered by the arrival of Miss Alcott from Concord---the prospect of a really good nurse, a gentlewoman who can do more than merely keep the patients from falling out of bed." The respect was mutual, Louisa May Alcott, about thirty, found "Mrs. Ropes very motherly & kind."

Louisa May Alcott (1832-1888)
Louisa published her Hospital Sketches under the pen name "Trib Periwinkle,"
inspiration for our first floral block.

Periwinkle Wreath by Bettina Havig

In a letter to another veteran of the Union Hospital, Louisa wrote:
"My ward is the lower one & I parade that region like a stout brown ghost from six in the morning till nine at night haunting & haunted for when not doing something I am endeavoring to decide what comes next being sure some body is in need of my maternal fussing."

Trib Periwinkle recalled her dwelling at the Hurley Burley House:
"The windows suffered compound fractures...narrow iron beds, spread with thin mattresses like plasters, furnished with pillows in the last stages of consumption... A mirror (let us be elegant!) of the dimensions of a muffin and about as reflective." 
What a writer she was!

Patients in a ward built as a hospital with emphasis on
ventilation to keep air-borne diseases from spreading.
The Union Hospital had few windows.

The wards were no better: “A more perfect pestilence-box than this house I never saw.”

An extremely rosy picture, supposedly of a ward at the Union Hospital---
Jenny Lind spool beds for everyone.

Armies were desperate for spaces to care for the overwhelming number of sick and wounded. Louisa arrived soon after the Battle of Fredericksburg. Her patients died of trauma, infection and field amputations but also of measles, pneumonia, typhoid and dysentery. 

Illustration of Louisa in the ward from
a 20th-century edition of Hospital Sketches

In early January Hannah wrote her daughter Alice:
"Miss Alcott and I worked together over four dying men and saved all but one....but whether [due to] our sympathy for the poor fellows or we took cold, I know not, but we both have pneumonia and have suffered terribly."
Back in Concord Louisa's letters stopped. Young neighbor Julian Hawthorne remembered:
"A hush of suspense fell upon us. Then came an official dispatch from the front. Miss LA had caught the fever and was being invalided home....on my way to and from school I would call at the house for news and go away heavy hearted. Mrs. Alcott would shake her head, pale and sad, and [Sister] Abby's eyelids were red and her smiles gone."
Hannah notified Bronson Alcott to come to Washington. On January 20th, the day Louisa's father arrived, Hannah Ropes died with her daughter Alice at hand.

Orchard House, the Alcott home in Concord during the Civil War.
From the Orchard House Museum

Wrote Julian: Louisa "returned at last a white, tragic mask of what she had been but with a glimmer of a smile in the depths of her sunken eyes."

The Block

Periwinkle Wreath by Janet Perkins
Janet and Bettina are each using a single monochrome print
for their backgrounds.


Wreaths with flowers on the north/south axis and buds on the diagonals
are one of the most popular of 19th century applique designs.

See a post about the history of appliqued wreath blocks here:

Here we've changed the traditional rose to a flower based on five,
a purple periwinkle

To Print:
Create a word file or a new empty JPG file.
Click on the image above.
Right click on it and save it to your file.
Print that file. Be sure the square is about 1" in size.


For the background cut a square 18-1/2"
Add seam allowances to the pattern pieces if you are doing traditional applique

Me, Barbara, I'm using reproduction calicoes from my stash and my purple box is pretty empty.
But periwinkles come in pink too. The backgrounds are pieced a la Piece O'Cake applique. I cut 9-1/2" squares of light prints and pieced them randomly together. Ouch! The red solid is bleeding.

Addition

Becky is doing some addition---here she's filled the empty space in the middle of the wreath with another floral. She's designed a class in how to make applique your own and addition is a theme.

Subtraction

Sprouts #1

Each month you'll get a Sprouts design, an adaptation of the traditional pattern, using just a few of the elements from the more complex pattern, sized to fit 8-1/2" finished backgrounds. 
For Sprouts #1:
  • Cut a 9" square
  • Cut 1 each of pieces A, B, C, D, E & G.
  • And two leaves F.
  • You'll need stems for the monthly sprouts so you might want to make some 1/2 finished bias ahead of time. You'll use about 5-6" each month.



Denniele Bohannon's #1 Periwinkle Sprout
 8-1/2" x 8-1/2" 
UPDATE: Denniele reminds me her blocks are 9-1/2" finished.
Gives her more room for a longer stem.

She's using the aqua solid as a background for all her Sprouts
and pastel prints for the raw-edge, machine applique.
Blue dots are a recurring theme.

After the War:


Louisa's few weeks at the Union Hospital affected her for the rest of her life. We know her, of course, as the successful author of Little Women, in which she writes unforgettably of Marmee fetching her soldier husband home to Concord, an echo of Louisa and her father's journey from the Union Hotel Hospital.

Tribulation Periwinkle's coat of arms from
Hospital Sketches

Louisa's first real publishing success was Trib Periwinkle's Hospital Sketches.

Although rich and lionized she never enjoyed consistent health again until her death at the age of 55. Reading her letters and other accounts one gets the feeling she suffered a form of post traumatic stress syndrome after her six weeks at the Union Hospital. Anxiety and depression were never far away again. She believed she'd been poisoned permanently by the mercury treatment administered for her Union Hospital illness. She suffered from joint pain and exhaustion, perhaps a serious autoimmune disorder like arthritis, thyroid disorder or lupus; perhaps a cancer like lymphoma or leukemia.

Louisa May Alcott sat for American portrait
painter George Healy while living in Rome in 1870
when she was not yet 40 years old.

Spending six weeks in the Union Hotel Hospital was a wonderful if terrible experience for Louisa. She asserted her independence, obtained real life experience for her writing and became a publishing star with Hospital Sketches.

 Elizabeth Tobias Dixon, Paris Indiana
Indiana project & the Quilt Index.
Addition---see how many buds you can fit in one wreath.

Subtraction ---No buds, 12 leaves.

Quilt dated 1863, Addie Little on a label.
Collection of the Museum at Michigan State University
Six of the 16 blocks are wreaths, indicating their importance
in album iconography.

Extra Reading:

Here's an online version of Louisa May Alcott's Hospital Sketches:
https://www.gutenberg.org/files/3837/3837-h/3837-h.htm

Alice Ropes Skinner saved her mother's hospital papers but they were not published until 1980 as Civil War Nurse: The Diary & Letters of Hannah Ropes.
See a preview here:
https://books.google.com/books?id=AAyPxFq3SiIC&printsec=frontcover&dq=hannah+ropes+civil+war+nurse&hl=en&sa=X&ved=0ahUKEwjUrOWUpsTZAhUJQq0KHXG0BQsQ6AEIKTAA#v=onepage&q=hannah%20ropes%20civil%20war%20nurse&f=false

Louisa's unpublished letter to Hannah Stevenson from the Curtis Stevenson Papers at the Massachusetts Historical Society.

Wednesday, July 20, 2022

Hospital Sketches Exhibit Opens Today

 

Meliss Swanson, Hospital Sketches
I bet we could have hung 50 versions of our 2019 Block of the Month
Hospital Sketches at the show opening today at the New England Quilt Museum.
But some like Meliss's had other dates scheduled.

The main problem is there was only room in the gallery for 15.
So I couldn't fit all 50 in.
See more here:

Denise Fowler Panter, wool applique

And some were not finished in time

Heidi Kapszukiewicz

Bettina Havig is hand quilting....

Janet Olmstead

Lorraine Hofmann

Trudi Wessink

Vicki Wendel
Some substituted their own blocks.

Seven Sisters Quilting

Pam Manning
Some used blocks from other projects ---Pam used
both Cassandra's Circle and Hospital Sketches blocks.

It's certainly rewarding to see how many of you stitched the pattern and what a fascinating variety of individual looks you achieved.
I hope you can get to Lowell, Massachusetts to see the show between now and October 1st.
https://www.neqm.org/on-view-index

Maybe I need to rent the armory in New York City to show them
all in five years...

Kathy Delaney

Join our Facebook group to see more pictures. And post yours.

I did a little catalog you can buy on Blurb.com. See a preview here:

And see more here:

Wednesday, April 14, 2021

Hands All Around #4: For Louisa May Alcott

 

Block #4, Eight Hands Around by Pat Styring

Eight Hands Around is a good block to represent the four Alcott girls with eight hands devoted to both serious causes and entertainments.

Louisa May Alcott (1832-1888)
Photo taken during the Civil War before her nursing duty in Washington.
Friend Augusta Bowers French remembered:
 "I can see Miss Alcott now, breezy & snappy & using a lot of slang."

During the four years of Civil War Louisa led a busy life. She turned thirty, a significant occasion that permitted her to serve as a nurse. Rules written by Director of Nurses Dorothea Dix demanded one must be over thirty to volunteer. And so Louisa went to Washington in December, 1862 soon after her birthday to do what she could at the Union Hotel Hospital in Georgetown.

Eight Hands Around by Becky Brown
Fussy cutting a stripe

Family and friends lent a hand. Neighbor Sophia Peabody Hawthorne inked Louisa's clothes with laundry marks. She tells us Abba fretted that she'd be helpless without her daughter and Bronson announced he was sending "his only son." Louisa naively packed her games and Dickens novels to entertain the patients.
Letter from Sophia Hawthorne to daughter Una.

The Union Hotel Hospital
was a model of what not to do with injured and ill patients.

Eight Hands Around by Dennniele Bohannon (16")

Louisa's turn as a nurse lasted only six weeks; the work almost killed her and certainly traumatized her. She caught typhoid fever, the hospital scourge, and her father was called to take her home. Both survived the trip, something the Hawthornes found miraculous. Rosa Hawthorne Lathrop:
"Truly, [Bronson] Alcott was completely at the beck of illusion; and he was always safer alone with it than near the hard uses of adverse reality. I well remember my astonishment when I was told that he had set forth to go into the jaws of the Rebellion after Louisa, his daughter, who had succumbed to typhus [typhoid] fever while nursing the soldiers. His object was to bring her home; but it was difficult to believe that he would be successful in entering the field of misery and uproar. I never expected to see him again."
Collection of  Houghton Library, Harvard
Sophia and husband Nathaniel Hawthorne lived next door 
after buying this house from the Alcotts. You get an idea
 of the steepness of the hill behind the houses on the Lexington Road.

That rescue mission may have been Bronson's shining moment and her hospital service Louisa's. Some accounts tell us that Dorothea Dix helped out by sending two of her nurses to accompany the Alcotts on the railroad back to Concord.

Eight Hands Around by Janet Perkins

Once home Louisa was bedridden for weeks (delirious for a few) and woke up to find she was bald. The doctors had ordered her head shaved in Washington to apply blistering chemicals to her scalp. (You might have been better off without doctoring at the time.) Blisters were raised on the scalp with a hot wig or a powder of abrasive concoctions. The blisters were lanced and as they drained the hypothesis was that the toxic humors of typhoid drained away.

Louisa turned her hair loss into plot in Little Women

Eight Hands Around by Addison

Louisa told friend Frank Stearns: "The loss of my hair was the worst of it."

Louisa survived the typhoid and the blistering. In March she begin writing down her memories of those dark Washington days into four "Hospital Sketches," published in a Boston paper under the pen name Tribulation Periwinkle.

Tribulation Periwinkle's coat of arms

 Hospital Sketches was her first successful book and for the rest of the war her main occupation was writing---writing to keep her family solvent and writing because she loved to do it.

Jo in a writing vortex with curl papers in her hair

Louisa describes her mania, "writing fits," as one of  her alter ego Jo March's obsessions.

"When the writing fit came on, she gave herself up to it with entire abandon, and led a blissful life, unconscious of want, care, or bad weather, while she sat safe and happy in an imaginary world, full of friends almost as real and dear to her as any in the flesh. Sleep forsook her eyes, meals stood untasted, day and night were all too short to enjoy the happiness which blessed her only at such times, and made these hours worth living, even if they bore no other fruit. The divine afflatus usually lasted a week or two, and then she emerged from her 'vortex' hungry, sleepy, cross, or despondent."

 Biographer Harriett Reisen, who wrote and produced the PBS documentary on Louisa, looks at these "fits" that alternated with "existential despair." 

"Was Louisa Alcott, like so many artists, manic depressive? Certainly her creative pattern and mood swings are consistent with the diagnosis, according to the psychiatrist Kay Redfield Jamison, an authority on manic-depressive, or bipolar, mental illness." 

Louisa was quite productive during the Civil War. Her charitable works for freed slaves' and soldiers' relief organizations included producing plays and dramatic events for fairs. She volunteered to dramatize "Six Scenes from Dickens" in conjunction with the Sanitary Fair held in Boston at Music Hall in December, 1863.

Music Hall in Boston, 1850s
Collection of the Massachusetts Historical Society

“Things did not go well for want of a good manager and more time," she complained. "Our night was not at all satisfactory to us, owing to the falling through of several scenes for want of actors [but] People liked what there was of it.” And the drama raised $2,500 for the Sanitary Commission's mission.

The following year she sent a sketch "A Hospital Lamp" as a donation to the Brooklyn, New York Sanitary Fair newspaper, The Drum Beat. 


By then her name was beginning to have value; she was on her way to becoming the celebrity that Little Women would create in 1868.

Dorry Emmer is making blocks of different sizes for
her winter landscape blocks---just a spark of red in the stars.

The Block

Eight Hands Around is BlockBase #2168, first published by the Ladies' Art Company over a hundred years ago.

Eight Hands Around by Dorry Emmer.
Her Christmas version


8” Block (2-Inch Grid)
A—Cut  1 square 2-1/2”.
B—Cut 1 square 5-1/4”. Cut into 4 triangles with two diagonal cuts. You need 4.
C—Cut 8 squares 2-7/8”. Cut each into 2 triangles with one diagonal cut. You need 16 triangles.

12” Block (3” Grid)
A—Cut squares 3-1/2”
B—Cut squares 7-1/4”
C—Cut squares 3-7/8”
 
16” Block (4” Grid)
A—Cut squares 4-1/2”
B—Cut squares 9-1/4”
C—Cut squares 4-7/8”

D -  Cut 4 small squares
8” - 1-1/2”
12” 2”
16” - 2-1/2"

E - Cut 4 squares. Cut into 2 triangles with 1 diagonal cut. You need 8.
8” - 1-7/8”
12” - 2-3/8”
16” - 2-7/8”

F - Cut 1 square. Cut into 4 triangles with 2 diagonal cuts. You need 4.
8” - 3-1/4”
12” - 4-1/4”
16” - 5-1/4”

Ladies's Legacy sketch

 A dance at the March house from an edition of Little Women.
Eight Hands Around was a dance figure.

Elizabeth Hawley
West Virginia project & the Quilt Index
Have few pictures of this particular double star quilt
with the triangles in the corners

A Stellar Set

Louisa in Washington, from Hospital Sketches

Two years ago we did an applique Block of the Month Hospital Sketches, inspired by Louisa's wartime work. The first block, a wreath or periwinkles, was for her:
http://civilwarquilts.blogspot.com/2019/01/hospital-sketches-1-periwinkle-wreath.html

Periwinkle Wreath by Georgann Eglinski

This month's set idea is a Periwinkle Wreath applique block alternating with the 16" star samplers. You can squeeze the wreath into a 16" finished square to make an 80" square quilt (12 pieced stars + 13 appliques.)


Extra Reading & Watching

See the 2009 PBS documentary in their American Masters series, "Louisa May Alcott: The Woman Behind Little Women." You can stream it on their Passport feature and local stations occasionally replay it. And you can buy the video.
https://www.neh.gov/humanities/2009/novemberdecember/feature/little-woman

Read a letter from Louisa nursing in Washington to Hannah Stevenson in the collection of the Massachusetts Historical Society here:

Many of the views of the Alcotts by their friends and acquaintances come from Daniel Shealy's Alcott in Her Own Time, vignettes from memoirs. See a preview here:

Here's a book focusing on Louisa's war time nursing:
Samantha Seiple,  Louisa on the Front Lines