Saturday, August 14, 2021

Sarah Gallup's G.A.R. Fundraiser

 

Quilt signed A. Bronson Alcott and L. M. Alcott
in the lower squares

In 1880 Sarah Colburn Gallup set about collecting celebrity signatures to make a fundraising quilt. As Lynne Zacek Bassett wrote in Massachusetts Quilts:
"This quilt is a compendium of America's political, military, and cultural leaders of the Gilded Age. It is a remarkable testament, in particular, to the prominence of Massachusetts literary figures."

 

Certainly one would want to include Louisa May Alcott and her father in such a pantheon. Sarah Gallup collected enough signed linen squares to make two tops. She tied this one and donated it to an 1890 G.A.R. fair to raise money for the veterans' group. Rather than raffling off the quilt (GAMBLING!), the committee devised a puzzle of logic, " a very difficult problem," according to the Fitchburg Times. The first to figure it out received the quilt. (A cash donation of 15 cents was required to take a guess.)

It was once red, white and blue but the sashing fabric (a twill cotton probably dyed
with a synthetic blue) has faded to gray.

The second top was never finished and remained in the family. This one has been well-documented in the book and at the Quilt Index where it is one of the quilts transcribed in their Signature Project. It was auctioned at a Skinner Auction in the 1970s and purchased at a Waltham antique shop. Pat Flynn Kyser wrote about it in Quilt World magazine in the 1980s. The second quilt and an album telling of the project's making were inherited by a New Hampshire relative. Their location is now unknown.


Signature quilt, 1880 - 1881, by Sarah F. Gallup, 
Leominster, Massachusetts to benefit the G.A.R. 
Massachusetts project & the Quilt Index. 




President-elect James Garfield signed a block in November, 1880, about ten months before he was shot and killed. Wife Lucretia Randolph Garfield also signed as did his mother Eliza Ballou Garfield. 
 
Lucretia Randolph Garfield (1832-1918)

The list of signatories can be found at the Quilt Index and in the book Massachusetts Quilts: Our Common Wealth.
Link to the file:

1880 when Sarah began collecting signatures she and her husband James Gallup were living with her mother Hannah Spaulding Colburn in Leominster. Daughter Nellie G. Shepley was 17 and a niece and a nephew, probably brother Charles' grown children were also in the home. James Gallup worked in a comb factory as did a boarder.


Leominster was home to several comb factories, using old fashioned animal horn or the new plastic celluloid to make decorative combs to hold women's hair as well as more pedestrian grooming combs.



Sarah was an active member of the Leominster Women's Relief Corps, the auxiliary of the Grand Army of the Republic (GAR) veteran's group, President at one time. Her quilt project would have been a lot to ask of one person but we can imagine her corralling her family and her friends at the WRC into cutting the linen squares, stamping her letters to the celebrities and opening the responses. 

Leominster Public Library Collection


Sarah Colburn (1833-1912) was married twice. Her first husband David Shapley (Shepley) died of
the New England scourge tuberculosis in 1875. Two years later she married James Gallup who died in 1884. The 1910 census shows her living in a boarding house with daughter Nellie C. S. Upham and her husband Willis H.

"Mary A. Livermore.
Melrose, Mass."

Sarah would probably be pleased to know her quilt survived but she'd undoubtedly have a complaint about that blue cotton twill.

Wednesday, August 11, 2021

Hands All Around #8: Variable Star for Sarah Sanborn

 

Block #8 Variable Star by Janet Perkins

This basic star has many shading variations. Carrie Hall called it a Variable star, a pattern to recall Sarah Sanborn.

Sarah Elizabeth Sanborn (1823-1903)
Sarah may appear rather retiring in this photo
but her temperament was variable as we shall see.

Sarah moved to Concord, Massachusetts in 1855 with several family members from New Hampshire. Her younger brother Franklin Sanborn had been recruited by Ralph Waldo Emerson to open a school for a few of the town's intellectually elite families. At the time of his interview he dined with one of those families, the Alcotts. "The dinner was without meat but nice and inviting."

Franklin Benjamin Sanborn  (1831-1917)
Portraits are from his various autobiographies.
He published quite a few Concord memories.

Franklin recalled that he accepted Emerson's proposal because of a "domestic reason." 

"My sister Sarah, eight years older than I, had been a successful teacher in several towns, but had fallen into a condition of ill health and low spirits which distressed me....Sarah should accompany me to Concord...should keep my house and assist me in the school, if her spirits would permit."

Sister Helen Maria Sanborn (1830-1920)
about the time she moved to Concord.
Franklin believed all the Sanborns were natural teachers.

Franklin also took with him two other unmarried relatives, sister Helen and cousin Louisa Leavitt, to help him in the school, which became a center of Concord life in the five years before the Civil War.

Variable Star by Pat Stryring

Franklin also recruited the Alcotts; May at one point was the drawing teacher and Louisa and Anna, the actresses, were in charge of the dramatic productions the students put on at the Unitarian Church under the auspices of the Concord Dramatic Union, a Sanborn enterprise. Profits went to the poor.

Ellen Tucker Emerson recalled the Alcott daughters "have a great love and talent for Theatricals."

Ellen Tucker Emerson (1839-1909)
Elaborate bonnets were a fashion necessity, even
in intellectual homes.

Sanborn's School attracted boarders, such as the younger sons of Henry James of New York. Locals included children of the Emersons, the Pratts and for a while Sophia and Nathaniel Hawthorne's children.

Julian and Una Hawthorne a few years before they
enrolled in the Sanborn School.

Una's mother changed her mind and withdrew her adolescent daughter. The school was just too radical and too frivolous. Dramatic productions, dances and Sanborn's aggressive antislavery stance were problems but as Sophia wrote her sister Elizabeth Peabody, also a skilled teacher, it was the idea of co-educational classes that was just too much.

"We entirely disapprove of this commingling of youths and maidens at the electric age in school. I find no end of ill effect from it."

Many parents chose the school because of Sanborn's abolitionist zeal. People in Concord were well aware of Franklin's acquaintance with John Brown who'd spent time in town raising money for his shadowy army that ultimately failed in an attack on the Harper's Ferry armory in October, 1859. Few realized that Sanborn had been sending Brown some of the school's profits and his own family money.

Sarah and her brother boarded at 49 Sudbury Road

Five months after Brown was hung for his insurrection, four or five federal marshals came in the night to arrest Sanborn for his part in the Brown plot and his defiance of a U.S. Senate subpoena. Concord came to the rescue, the whole neighborhood awakened by Sarah's screaming in the yard. The church bells began sounding an alarm and over a hundred people gathered.

Variable Star by Addison

Anna Whiting, nearing 50, ran over to help Sarah do what they could to confound the law, scaring their horses and blocking their way. Sarah is reported to have pulled one marshal's beard so he'd let go of her brother.

A barefoot woman caning the horses: Anna or Sarah
portrayed in Harper's Weekly April, 1860.

Ellen Emerson's account: 

"Miss Anne Whiting got into the carriage and held the door and put herself in the way, and fought with a cane, and so prevented them from getting Mr. Sanborn in, and gave the people time to collect. The men hurt her and scratched her and tore her dress trying to get her out, but she stayed in and hindered them a long time."
Judge Rockwell Hoar (son Sam was a Sanborn pupil) issued a writ of habeus corpus and the marshals facing the local sheriff backed by a mob left the scene without their prisoner. Sanborn eventually spent a night in jail but was released on a technicality and decamped to Canada for a judicious long vacation.

He always credited Sarah with "my fortunate rescue from the hands of kidnappers" and wrote their mother a few days later:
"You have seen by the papers...how entirely we have defeated the outrageous purpose of the ruffians..... I shall also sue them for damages and hope to build my schoolhouse of of their money. I am well...Sarah also is pretty well though tired....she has become quite a lioness."
Antislavery women in Boston sent Sarah flowers. Admirers got together to present the lioness with an "elegant revolver," a gift that William Thayer of  Boston (using the pseudonym William Handy) discussed in a letter to Thomas W. Higginson, now in the collection of the Kansas State Historical Society:
"A subscription paper has been opened to buy a beautifully mounted pistol – cost say $75 – to present to Miss Sanborn for her bravery in defending her brother. [James] Redpath suggests that there be Engraved upon the barrel 'The straight and narrow path to heaven', L. B. [?] has the matter in charge & will probably accept the proposal. The amount has nearly all been raised."

Variable Star by Becky Brown 

The Block
BlockBase+ has four shading variations of 2141 with names from states like Ohio and Texas.


Joining Star from the Nancy Page newspaper column in 1934 is another good name to remember the people of Concord. If there was going to be an antislavery riot at the Sanborns everyone joined in.



Cutting
You need 4 A squares
4 B triangles.
And 12 C triangles.

8” Block (2” Grid)
A—Cut 4 squares 2-1/2”
B—Cut 1 square 5-1/4”. Cut into 4 triangles with two diagonal cuts.


C—Cut 2 squares 2-7/8”. Cut each into 2 triangles with one diagonal cut.


12” Block (3” Grid)
A—3-1/2”
B—7-1/4”
C—3-7/8”

16” Block (4” Grid)
A—4-1/2”
B—9-1/4”
C—4-7/8”

For D Cut 1 square.
8” ‐ 3‐3/8”
12” ‐ 4‐3/4”
16” ‐ 6‐1/8” 

How-To



Post Script

Sarah on the left, Helen next, their mother in a cap, an unnamed niece and cousin
Louisa Leavitt Sanborn bending over her children so all you see is the top of her bonnet.
Hampton Falls, 1868

Sarah and her sister Helen returned to the family home in Hampton Falls, New Hampshire, where they were known for their charitable works. Neither married and they lived together until Sarah died in 1903. Their cousin and fellow teacher Louisa Augusta Leavitt married Franklin Sanborn in August, 1862 and they lived the rest of their lives in Concord in an elegant house by the river.


Sanborn closed his school in 1863 and became editor of the Boston Commonwealth during the war. It was he who published Louisa's Civil War articles "Hospital Sketches," that made her first reputation.

Review of Hospital Sketches from the elder
Henry James who sent two sons to
the Sanborn School.


Sarah lived to be 80 but no one ever forgot
her fight with the marshals in Concord in 1860.

Quilt of Many Stars Set


The Nancy Page column called the block "Joining Star" because Florence LaGanke Harris who wrote the column wanted readers to use small versions as the corner stones in her 1934 sampler "The Quilt of Many Stars." She included only 7 star sampler blocks (it WAS the era of a lot of fancy quilting for all the blank spaces.) 

Her triple strip sashing for 12 blocks is a traditional set for our Hands All Around sampler.

I showed a few samplers with sashing and cornerstones here:

The sash was a favorite in the South but here's one
from the Michigan project dated 1893.


Suggestions for triple strip sash:

Giving the same formula for 8", 12" and 16" blocks makes for some strange measurements but here it is. Make the sashing 1/4 the finished size of the block and use a nine patch in the corner stones. 
(32 strip units, 20 Nine Patches)

8" Blocks: 32" x 42" = 2" strips and nine patches. Cut strips 8-1/2" x by a smidgen. EQ doesn't even recognize a measurement this small. Forget the formula and do what you can.  Cut squares for nine patches???

12" Blocks: 48" x 63"= 3" strips and nine patches. Cut strips 12-1/2" x  1-1/2", squares 1-1/2"

16" Blocks: 64" x 84 = 4" strips and nine patches. Cut strips 16-1/2" x 1-7/8", squares 1-7/8"

As you can see you are pretty making this up as you go along---sort of like the riot at the Sanborns.


Further Reading

Edward J. Renehan, Jr's The Secret Six: The True Tale of the Men Who Conspired with John Brown includes information about Sarah and Franklin Sanborn (one of the Secret Six.) Renehan quotes from a manuscript in Harvard's Houghton Library recounting Sarah's experiences on the night  marshals tried to arrest her brother.

Franklin Sanborn's Recollections of Seventy Years in two volumes:

The Concord Library has extensive web pages on the local history:

Saturday, August 7, 2021

Mattie McCaslan Lindsay's "Civil War Quilts"

 



Quilt in a regional Carolina pattern by Martha Clark McCaslin (McCaslan) Lindsay. 
South Carolina project & the Quilt Index

Martha Clark Lindsay 1842-1920
Read more about the pattern at this post:

The inscription in ink on the reverse:
"A.B.C. Lindsay No 8
Presented by his wife"

That may be a date between the lines in the scroll. "186?" thought the documenters at the South Carolina project. The dark fabric appears to be a generic dot on a green background (the documenters tell us it's green) not too useful for dating. I'd guess, however that the quilt is later than the 1860s, maybe the 1870s or beyond.

Abbeville is the county seat of Abbeville County

Martha Clark McCaslan was in her late teens when the Civil War began, the youngest of seven children of Susanna Clark Foster and Presbyterian Elder Moses Oliver McCaslan. She was born in Calhoun Falls, Abbeville County, South Carolina. 

Calhoun Falls was named after the famous family
of John Calhoun who'd been born in Abbeville County in 1782.

Mattie's only brother Captain Robert Foster McCaslan was a member of  Co. H, 19th South Carolina Infantry Regiment, Manigault's Brigade, which must have caused her much anxiety as his obituary noted he'd been through many "trying battles." One estimate is that half of Abbeville's men were killed in the war but Robert survived as did her future husband Private A.B. Calvin Lindsay of Carolina's 7th Regiment.

Their marriage took place on March 27, 1864.

The Lindsay Bell house in the town of Due West is said to
have been built for Mattie's husband Calvin Lindsay (1839-1910)
by his prosperous father.


When Calvin returned he put his medical training to use as a dentist. They had no children but adopted Addie Lowry and nephew William Lindsay Wilson. (Her obituary tells us there were three of her sister's orphans.)


Calvin's father was active in the founding of Presbyterian school Erskine College in 1839 in the town of Due West.

Erksine College

Mattie and her family were competitors in the local agricultural fairs. In 1873 she won $20 for her display of 31 handmade articles at the county fair, including patchwork.


The same year she won a prize for a quilt at the state fair, perhaps
for the green and white quilt at the top of the page.


In 1878 she won $2 for a "mosaic quilt."

Grandniece Dr. Maryland Wilson Shytles (1916-2007) brought six of Mattie's quilts for documentation in the South Carolina project in 1984. She'd inherited them through her grandfather W. Lindsay Wilson. 

Dr. Shytles was a professor of communication.

She told documenters the family tale about the appliqued quilt, which was stitched:
 "while her husband served in the Confederate army. Family stories say she was possessed of much nervous energy and could never sit a moment without her fingers flying as she worked on some project." (See Fair account above: 31 items.)

The other five quilts are easier to date as they have many prints or the style is a good clue.

Three are pieced with the claret red so popular after 1890.

Maryland Shytles believed this star to have been made during the Civil War
but the black ground cotton prints are a good clue to about 1900.


A four-patch that may be from the teens

The same period when the wool rectangles quilt was likely made.
Family memory:
"There was a little store on her parents' plantation, where orders were taken for men's suits. This quilt is made from the swatches in the sample books used in taking orders for the suits."
Maryland may be thinking this is a Civil-War-era quilt but the embroidered suit sample style was definitely popular in the early 20th century and not before. At least two of her six quilts had an inscription on the reverse:

The appliqued quilt was No. 8 with her husband's name.
"Presented by his wife."

The star was numbered 2. Why and when these were inked is a mystery.

The ever-busy Mattie must have made many quilts over her nearly 80 years of life. The pieced quilts recorded look to have been from her last years before she died in 1920--- not the mosaic quilt that won a prize in 1878.


 In fact they are not prize-winning quality at all but rather utilitarian bedcovers very typical of the times. Her great-grandniece believed that some were made during the war but like most of the "Civil War Quilts" story there is no basis in the material evidence. Other family members may have inherited the earlier quilts.

The town of Abbeville claims the war started and ended there. Its reputation as the “Birthplace and Deathbed of the Confederacy” is based on a May 2, 1865 visit by fleeing Confederate president Jefferson Davis who is reported to have dissolved his government at the town's Burt-Stark mansion. Mattie Lindsay at 23 is supposed to have served a meal to the Davises at her father-in-law's home on that visit.



July, 1920