Saturday, November 16, 2019

Woman's Relief Corps Files


Top dated 1892-1893 from Marilyn Woodin's collection, made by members of the Chicago Woman's Relief Corps. I pictured it in my 1989 book Clues in the Calico with little idea what the symbolism was at the time.

The cross in the center of the quilt at the top had obvious meaning
to Americans in 1893. The Woman's Relief Corps logo featured a similar image.


In the quilt's very center, this ribbon and the badge

I am sorting out my paper files to donate to the Quilt Research Collection at the University of Nebraska Libraries. I'm going through the drawer full of research for the Civil War books I've written over the past 15 years or so. First up in the file folders: Woman's Relief Corps (the WRC auxiliary of the Grand Army of the Republic GAR veteran's organization.)

I thought that might be easy to do, but then I digress into seeing how much more information I can find in the digital age....plenty.

Now I realize the other red shapes in Marilyn's quilt are Corps Badges, which identified veteran's groups by region.

Late 19th-century G.A.R. corps badge bandanna


References to W.R.C. members stitching quilts are easy to find in newspaper databases and local historical society files. Rarely do the period accounts describe the quilt; once in a while the description includes "the national colors." 

Pattern description from a scrapbook:
"Susanna's Puzzle is very effective  when made with red, white and blue and in this way is just the thing for a GAR or WRC fair."

The W.R.C. was founded in 1881 and thrived in the years when several styles were popular:
  • Embroidered quilts
  • Red and white quilts
  • Name quilts
  • Fundraising donation quilts
  • Crazy quilts with souvenir ribbons (badges)

Actually, the abundance of W.R.C. quilts may have contributed to the popularity of those styles.

We see what the names on a particular Oregon quilt meant in 1897:

"A mosaic consisting of 18 blocks, each bearing the name of the Union soldier nearest related to the lady who furnished it, together with the name of the company in which he served."
If we come across that quilt we might puzzle to figure out what the soldiers had in common, but this is an option: A random selection of men who had women relatives in Oregon City in 1897.

Quilt dated 1901 in several styles:
Red & white
Embroidered
Name quilt/ Fund raiser style

One might guess that this California quilt was made by church members as pious statements are embroidered, 


And this may be true but the W.R.C. cross indicates an affiliation with
the organization.


Apparently the WRC's first logo was a red, white and blue image seen in a "floor badge,"
changed in 1884 to the "maltese cross." The National Tribune, a newspaper for veteran's groups, suggested members work their old ribbons into a "Relief Corps crazy quilt to be sold for the benefit of their relief fund." One would base her block on the corps badge ribbon and embroider "her own name on a white stripe."


1911 name quilt from the Harvey County Historical Museum in Kansas.

A red & white, embroidered name quilt

Most of the names seen on these quilts are of the fundraising type. People who gave a donation (often a dime or quarter) had their names embroidered for posterity by a skilled volunteer.

See two more posts on embroidered W.R.C. quilts:

And read a preview of a book: Glorious Contentment: The GAR 1865-1900 by Stuart McConnell:




P.S.: I am never going to get through those paper files if I keep adding digital files.

Wednesday, November 13, 2019

Shopping for Reproduction Fabric Fall 2019

What's happening in the reproduction fabric world this fall?
I've been shopping, just to report.

Some conversation prints.
Birds & bees from My Redwork Garden by Bunny Hill for Moda.


Above and below Yarra Valley by Max & Louise for Andover


You should be able to find these fabrics in shops now or very soon.

Blues are always happening. More shirtings and indigo grounds in Abigail Blue

Mary Koval is thinking 1870 on these blue and whites but I'd push it
back to 1890s +

Full Circle by Sarah J for Marcus

Baltimore House by Paul Barnes for Marcus

Vive Le France by French General for Moda


Braveheart by Edyta Sitar for Andover

Hatbox from Andover


Several to add your madder-colored collections.

Chatham Row, Paula Barnes for Marcus

Chatham Row


Paula's Companions by Paula Barnes for Marcus

Above and below Charfacani by French General for Moda


Her foulard-style regular sets are great for Civil-War-era repros.

A fabulous early version of a "Storm Print"
from Chesapeake by Di Ford for Andover

Also from Chesapeake

A romantic pink in Braveheart by Edyta Sitar for Andover

Full Circle by Sarah J for Marcus


Karen Styles Meridian Stars, Marcus

Morning Glory from Edyta Sitar

A small floral trail from Sarah's Story by Betsy Chutchian for Moda

Saturday, November 9, 2019

Catherine Fitzsimons Hammond's Civil War #2: During the War

Catherine, the Hammond album quilt and the panel wreath
repeated in the quilt blocks. 
Finding out more about this panel quilt is how this search got started.

The house at Redcliffe plantation, mid-20th-century
In Catherine's day there were more piazzas and porches.

When the Civil War began in April, 1861 Catherine Hammond was in her late forties living on the banks of the Savannah River in South Carolina in a substantial new house. After the scandal that compromised husband James H. Hammond's political career in the 1850s, the family bought another plantation called Redcliffe near her inheritance Silver Bluff. (See more about Hammond's "indiscretion" in last week's post: https://civilwarquilts.blogspot.com/2019/11/catherine-fitzsimons-hammonds-civil-war.html
The house at Redcliffe has been restored.
The nearest town of any size was Augusta, Georgia, about 12 miles away.

Husband James Henry Hammond had made a name for himself with his pro-Southern oratory before he quit the U.S. Senate when Lincoln was elected, asserting in 1858 that the South's economy made the region immune to threats to end slavery. 
"You dare not make war upon cotton! No power on earth dares make war upon it.   Cotton is king." 
Southern states head off a cliff  yelling "Cotton is King."
Cartoon from the Library of Congress


Hammond was wrong about many things but after a 5-year separation in the early 1850s Catherine stuck with him for the rest of his life. When the war began they had three sons in their twenties, James Henry II (called Harry), Paul, and Edward (called by his middle name Spann). Three daughters in their teens and early twenties lived at home.

1860 Census
Did infant Claude, born when Catherine was in her mid 40s, die so young he's almost forgotten now?

The 1860 slave schedules list 50 people living at Redcliffe but hundreds more worked at their larger plantations.

Harry was quartermaster in Gregg's Brigade throughout the war.

James Hammond was not only a "tough son-of-a-bitch" as biographer Carol Bleser called him, he was a classic egomaniac, viewing war's demands as inconveniences to his plantation management and insisting his sons stay home rather than join the Confederate armies. Eldest son Harry defied him by quitting his position as a geology professor at the University of Georgia to join the South Carolina Infantry. Paul joined Edwin Kirby Smith's troops where he was an aide to the General and Spann enlisted for a six-months commitment.

Catherine's fears for her sons's safety were small compared to other Confederate mothers. Hammond biographer Drew Gilpin Faust characterizes the boys' "commitment to the Confederate military endeavor [as] somewhat less than total."

Once a draft was enacted substitutes were available North and South

Paul Fitzsimons Hammond (1838-1887)

After six months Spann's wife's family bought him a substitute and he farmed his own plantations for the rest of the war. Paul likewise served a short term until his father paid a substitute $1,100 to replace him.

Northern view of Southern conscription

Paul D. Escott estimates that Southern elites hired 50,000 to 150,000 men to serve as alternates (an expense only the elite could afford.) He quotes the Richmond Enquirer as noting the ability to pay a substitute was proof of a man's "social and industrial value." The aristocrats' lives "were more important than the lives of the poor."

Major Harry Hammond (1832-1916)

Despite an old injury that left one leg shorter than the other, Hammond served throughout the war as a quartermaster, supervising supplies. He lived to surrender at Appomattox Court House with the Army of Northern Virginia.

Virginia Clay Clopton (1825-1915)
published her rosy memoir A Belle of the Fifties in 1904.

Virginia Clay Clopton, cousin to Mary Louisa (Loula) Comer who married Catherine's son Paul, spent time during the war as a refugee at Redcliffe. Her memoir, which has far too many references to the "well-fed, plump and happy coloured people" enslaved at Redcliffe, also recalls the common story of hiding the silver from approaching Union troops towards the end of the war.
"Declaring to those of the servants who stood about as we entered the carriage, that we were taking some provisions to Mrs. Redd. ...we dispensed with a coachman, and drove off. We had many a laugh as we proceeded through the woods, at our absurdity in concealing our errand from the family servants....When we had driven a mile or more, Mr. Tunstall produced a hatchet and began to blaze [notch] the trees.... after instructing us as to the signs he had made, 'when you come to where the blaze stops, you'll find your valuables!' and under his directions the silver was silently sunk in the ground and the earth replaced."

Silver at Redcliffe today

Loula Hammond remembered, "It was months before we succeeded in finding the silver again. Though we dug the ground over and over in every direction where we thought it was, we couldn't even find the blazes for a long time."

Catherine's husband James's obsession with his own health continued through the war. Addicted to drugs, treated with poisonous mercury and chronically anxious, Hammond spent much time as an invalid. Digestive problems he blamed on a "defective nervous system" increased while bleeding was a symptom of something actually seriously wrong. Cancer? Inflammation like Crohn's Disease? Liver failure? 

Bedroom at Redcliffe today 
"Quite unwell myself-have not for some time slept well of nights. The War, the impressment, & Sickness here, & altogether too much to do, have altogether used me up." Hammond's diary three months before he died.
Hammond declined until a fatal hemorrhage in November, 1864 a few months before war's end. Spann believed he willed himself to die or perhaps took a deliberate drug overdose to deliver him from his increasingly hostile world.

Catherine soldiered on. Hammond's Southern identity allowed no hedging of his bets so their considerable cash assets had been invested in Confederate bonds. She inherited Redcliffe and  managed it until 1873 when she sold it to son Harry.  



The 1880 census lists her as a 66-year-old farmer living with a niece and a granddaughter.

Harry and Catherine could only watch their real estate sink into late-19th-century disrepair, but he continued his interests in the sciences and agriculture, publishing statistical analyses that earned him a reputation. 

 The Savannah River at Augusta by Harry Fenn, 1872

Catherine's extended family left an enormous amount of paper, yet who she really was remains elusive. A glimpse of  how she survived a miserable marriage to a miserable man in miserable times and created a sturdy bunch of descendants is in one letter she wrote to her brother-in-law soon after the war. She acknowledges she could, “scarce restrain a burst of complaint at my change in circumstances—but as I compare my lot with many others, I see only cause for thankfulness."

Catherine died in 1896

Her letter goes on:
"I hope you will save all Mr Hammond's letters."

Visit Redcliffe Plantation State Park in Aiken County, South Carolina
https://southcarolinaparks.com/redcliffe

More about the Hammonds:

There are classic American families that when followed through the generations tell us much about our history. The Hammonds are a great example. They wrote and kept records; they stashed them in the attics and eventually a descendant with money and curiosity saved it all---the house, the account books and diaries, the letters. John Shaw Billings was editor at Time and Life magazines. His retirement allowed him time to preserve the family legacy. Family papers are now in the South Caroliniana collection at the University of South Carolina (Hammond-Bryan-Cumming collection.) Historian Carol Rothrock Bleser spent years editing those papers. Some of her books:

Tokens of Affection: The Letters of a Planter’s Daughter in the Old South (1996) 
The Hammonds of Redcliffe (1981)
Secret and Sacred: The Diaries of James Henry Hammond, a Southern Slaveholder (1988).

Carol K. Rothrock Bleser

Here's her 2013 obituary:

Historian Drew Gilpin Faust wrote a 1982 biography of the terribly flawed patriarch: James Henry Hammond and the Old South: A Design for Mastery
Google book preview here:
https://scmemory.org/
Do a search for Hammond.

Other references:
Virginia Clay Clopton: A Belle of the Fifties: Memoirs of Mrs. Clay, of Alabama, Covering Social and Political Life in Washington and the South, 1853-66. One can compare memory to reality as seen in the Hammond papers and their analysis.

Paul D. Escott. The Confederacy: The Slaveholders' Failed Venture

And see another quilt with a Hammond family connection, linked to Catherine Hammond's daughter Katherine Hammond Gregg: